artist

Art Beat: Annette Makino’s Life in Collage

Annette Makino. Photo by Maya Makino

LOUISA ROGERS, NORTH COAST JOURNAL, EUREKA, CA, DECEMBER 21, 2023

Annette Makino has been an artist all her life but it wasn't until 2010 that she became interested in incorporating haiku into her artwork. For her birthday that year, her Arcata friend and fellow artist Amy Uyeki gave her a book of senryu, a poetic form structurally similar to haiku but with more humor and a focus on human nature. The poems were written by Uyeki’s Japanese grandmother and accompanied by Uyeki’s art.

“This lovely book set me on my current path,” says Makino, whose father is also Japanese. She started combining her haiku with simple brush paintings, which evolved to Asian-inspired watercolors and then collages. A year later, after leaving her 20-year career as senior vice president for communications at the Arcata-based nonprofit Internews, she launched Makino Studios, offering collages, watercolors, prints, cards and calendars.

Annette Makino’s “All that I am” incorporates book pages, a fern print, a vintage Japanese letter and washi paper, as well as asemic, or made-up, writing by her nephew.

Currently she works mostly with collage using hand-painted and torn Japanese washi papers, which are typically made from the fibers of the mulberry plant. She also uses other papers from different parts of her life—letters, her young nephew’s scribbles, book pages, musical scores and maps. To make sure the pieces don’t fade over time, she uses acrylic paints to color the white paper, then tears it into the shapes she wants and glues it onto paper or wood, a process that typically takes two to three days. According to Makino, a common misconception is that collage doesn't require much skill. “It’s very labor intensive and can involve as much skill as painting,” she says.

Makino’s most productive periods of artwork happen twice every summer, when she and her husband, Paul, a retired Cal Poly Humboldt geography professor, rent a cabin on the Klamath River in Orleans, a place they've visited for 27 years. In that placid location, free from distractions, she can get a lot of work done.

Makino usually writes the haiku first, before the artwork. “The words aren’t meant to illustrate the art,” she says. “You want a bit of distance, so the reader has a new way to think about the theme.” She often starts crafting the poem while hiking in Ma-le'l Dunes or in Trinidad, where she and Paul walk a couple of times a week.

Makino considers herself equal parts artist and writer. Her book Water and Stone: Ten Years of Art and Haiku was awarded Honorable Mention in the Haiku Society of America's Merit Book Awards and her poetry regularly appears in English-language haiku journals, including Modern Haiku, Frogpond and The Heron’s Nest. She has also won awards for her poetry from the Haiku Foundation and the Haiku Society of America.

Many of Makino’s haiku have to do with transitions. A few years ago, for example, when her two young adult children started the process of leaving home, she wrote about the empty nest, while the loss of her 16-year-old dog inspired many poems last summer. Her 95-year-old mother Erika, a former Humboldt resident and also a writer and artist, lives three hours away in Mendocino County. Makino visits her about once a month and is keenly aware of her mom’s gradual decline. That, and the earthquake last winter which caused a lot of damage to her home, have inspired her poetry and art. “Whatever life brings me,” she says. 

Makino’s “Garden rosebush,” a collage of book pages, a letter and envelope from the artist’s grandmother, handmade and Japanese washi papers, painted, torn and glued onto birch wood panel.

Makino was one of five local artists granted the 2022 Victor Thomas Jacoby award for “artistic vision and creativity,” provided annually by the Humboldt Area Foundation and Wild Rivers Community Foundation. Winners each received $10,000 to support their work. The award freed her from some of the commercial pressures of running a business and creating mostly marketable art that appeals to the public. Instead, she experimented with mixed media, using materials like charcoal, crayon, ink and pencil in her collages, and exploring oils and cold wax.

Recently, she’s been incorporating more personally meaningful elements into her collages. Because Paul loves maps, she created a collage for him that included a detailed map of Tibet. Another collage she created with whales incorporated a scrap from her daughter’s high school copy of Moby Dick. For “Garden rosebush,” she says, “I included a letter from my Swiss grandmother when I got married.”

Makino’s Japanese-Swiss ancestry has shaped her creativity. The haiku and Japanese paper may be more apparent to viewers but, “The Swiss, too, are surprisingly very playful in their art and writing,” she says, noting she likes to bring that spirit of play into her work.

Makino’s cards, prints and calendars are available at the Made in Humboldt Fair at Pierson Garden Shop through Dec. 24, and in shops around the county year-round. You can see more of her work at makinostudios.com.

Louisa Rogers (she/her) is a writer, painter and paddleboarder who lives in Eureka and Guanajuato, Mexico.

Read on the North Coast Journal site

BUSINESS SENSE: The business of art in Humboldt County

Artist Annette Makino in her studio. Photo: Brandi Easter

Artist Annette Makino in her studio. Photo: Brandi Easter

BY ANNETTE MAKINO, TIMES-STANDARD, EUREKA, CA, JUNE 27, 2021

Humboldt County is known for two things: redwoods and cannabis. Color us green! But we have another, less famous distinction: more artists per capita than any other county in California. Perhaps it’s the natural beauty that inspires so many artists. Or maybe it’s the acceptance of nontraditional lifestyles. 

But what does it take to survive as an artist here? When I first became a working artist 10 years ago, mixed media artist Claire Iris Schencke told me, “Humboldt is a great place to be an artist. It’s just not a great place to sell art.”

On the plus side, we have terrific support for artists. For the visual arts alone, we have a rich ecology of groups like the Humboldt Arts Council, the Ink People and the Redwood Art Association. 

There are artist-run cooperative galleries in Eureka, Arcata and Trinidad. Local events like Arts Alive!, North Coast Open Studios, and arts and crafts fairs help connect artists with the community. 

Our cities have made a point of supporting the arts: witness all the murals sprouting in Eureka and beyond. The City of Arcata’s draft Strategic Arts Plan has a goal of making Arcata affordable for artists.

On the minus side, unlike big urban areas, Humboldt doesn’t have a lot of “high net-worth individuals,” aka rich people, who can afford to buy original art. That is even more true since cannabis was legalized. (Of course, we artists deeply appreciate it when someone of modest means chooses to buy a piece they love.)

Even before the pandemic, many of our local galleries had closed, including the Piante, Black Faun, and First Street galleries in Eureka and the Mateel Gallery in Garberville. This is part of a discouraging national trend.

The hard truth is that very few Humboldt artists, no matter how skilled, can support themselves by selling original art. Some have related income from grants or teaching art; most of my art income comes from cards and calendars of my work. Other artists live on day jobs, rental or investment income, or a supportive partner. 

A conundrum for artists everywhere is that to be financially successful, an artist needs to be savvy about business and self-promotion. This is not necessarily their strength. And a morning spent on marketing is a morning away from the studio.

Well-known Arcata painter Alan Sanborn mainly sells watercolors from his home, by word of mouth. “I’m not very good at business; I’m just really good at painting,” he told me recently. “I could have been very good at business—as long as I didn’t paint.” Aye, there’s the rub.

So why do it? Why try to survive as an artist when there are far easier ways to make a living? 

Well, the rewards are priceless: to have the freedom to express yourself. To create something of value that no one else could create. And to share that vision with the world. Libby Maynard, Executive Director of the Ink People, puts it well: “If you’re an artist it’s a calling, and if you don’t make art, you go crazy.”

So despite the challenges of the business of art, I believe that along with redwood forests and cannabis farms, Humboldt will always be rich in artists.

————

Annette Makino offers art, cards and calendars of her work through local stores and at makinostudios.com. Her new book, Water and Stone: Ten Years of Art and Haiku, was just published by Makino Studios. 

Local artist and poet wins international haiku award

HAIKU WINNER: This collage by Annette Makino is made from painted and torn Japanese washi papers. Featuring a view of the Klamath River, it incorporates her winning one-line haiku. 

HAIKU WINNER: This collage by Annette Makino is made from painted and torn Japanese washi papers. Featuring a view of the Klamath River, it incorporates her winning one-line haiku. 

MAD RIVER UNION, ARCATA, CA, APRIL 21, 2021

On April 17, Arcata artist and poet Annette Makino was awarded one of the highest honors for haiku in English, a Touchstone Award from the Haiku Foundation. 

Announced on International Haiku Poetry Day, the award recognizes the best individual poems published the previous year.

Makino wrote her winning one-line haiku while on a creative retreat at the Klamath River in Orleans last summer. It reads:

long before language the S of the river

Makino has a business, Makino Studios, selling her art and haiku in the form of cards and calendars in stores and online. A mixed media artist, she creates both Japanese watercolors and Japanese-inspired collages

She said, “I’m truly thrilled to get this recognition, especially because I’m celebrating 10 years as a working artist and poet this spring. It’s the perfect capstone to a decade of learning and growing in my craft.”

The Haiku Foundation site explains, “The Touchstone Awards for Individual Poems recognize excellence and innovation in English-language haiku and senryu published in juried public venues during each calendar year.” 

This year the contest saw 1302 poems nominated from 31 countries, mostly selected by haiku editors. All the shortlisted poems are online at thehaikufoundation.org

Makino’s haiku have won many other awards and her poems and art regularly appear in the leading journals and anthologies of haiku in English.

She is currently at work on her first full-length book with the working title Water and Stone, to be published in the early summer. The culmination of a decade of painting and writing, the book will feature 50 of her haiga—artworks combined with haiku—painted with Japanese watercolors and sumi ink.

A ‘silver lining’: Amid the pandemic, a local artist finds a whole new artistic approach

Annette Makino of Arcata has been making art since she was a child. She’s now creating collage using hand-painted and torn washi papers combined with old letters, book pages, maps and other found papers. Her work also includes original haiku.

Annette Makino of Arcata has been making art since she was a child. She’s now creating collage using hand-painted and torn washi papers combined with old letters, book pages, maps and other found papers. Her work also includes original haiku.

BY HEATHER SHELTON, TIMES-STANDARD, EUREKA, CA, NOV. 13, 2020

Local artist Annette Makino has found herself with more time on her hands during the COVID-19 health crisis, and she has used those extra hours to come up with a brand new artistic approach.

“With fairs and art shows canceled this year and some of my retailers seeing reduced sales, the pandemic has slowed down my business,” Makino said. “The silver lining of this difficult time is that I’ve had more time to play in the studio.”

After 10 years of working in watercolor and sumi ink, Makino recently switched gears and started making collages from hand-painted and torn washi papers, sometimes combined with old letters, book pages, maps, junk mail and other found papers. The collages, she said, draw inspiration from the natural landscapes of Northern California and from her Japanese heritage.

“I start with white washi paper, which is traditional Japanese paper that often has bits of leaves, rice straw or other plant fibers embedded in it,” Makino said. “I mix my own paint colors and paint the paper, then tear it as needed for my collages. … Recent collages include bits of a musical score from my choir, old family photos and a letter from my sister. It’s really meaningful to be able to incorporate different aspects of my life into my art.”

Annette Makino says the COVID-19 pandemic has influenced her haiku and art. This work was created in recent months. “(It) reflects a sense of the transience of human existence,” Makino said.

Annette Makino says the COVID-19 pandemic has influenced her haiku and art. This work was created in recent months. “(It) reflects a sense of the transience of human existence,” Makino said.

She added: “The fun thing about collage is that you can use any materials you want to make something interesting and meaningful. I paint and decorate all sorts of papers for my art, but I also save things like old keys, bird feathers and foreign stamps for possible use in collages. It fascinates me how a beautiful collage can come together from torn paper and odd bits.”

One thing that hasn’t changed in Makino’s work over the past months is the incorporation of original haiku in her creations.

Makino — who has been making art since she was a child — learned about the Japanese tradition of “haiga,” or art combined with haiku, in 2010.

“I started creating my own haiga, writing haiku and making paintings with Japanese watercolors and sumi ink,” she said. “In 2011, I started my art business, Makino Studios, which sells cards, prints and calendars of my work in stores and online.”

Haiku, she said, is a compact form of poetry, typically three short lines.

This original haiku, featured on Annette Makino’s collage work, was just published in Modern Haiku magazine.

This original haiku, featured on Annette Makino’s collage work, was just published in Modern Haiku magazine.

“To write it effectively, you have to distill an observation or experience down to its essence,” Makino said. “I appreciate how the haiku mindset helps me to be more present in the moment, noticing little things like the way the woods look after a rainstorm.”

She shares this haiku — just published in Modern Haiku magazine — about her imagery above:

shortest day
on the tip of each fern
a drop of light

A few weeks ago, Makino attended a virtual haiku conference, the Seabeck Haiku Getaway, which is normally held in Washington State.

“There were about 160 haiku poets from 14 countries, some staying up all night in their time zone to participate,” she said.  “It was a lot of fun to connect with this community, even via Zoom. I gave a presentation on my new collage haiga there, the first time I’d presented this new work in a public forum, and I’m happy to say it was very warmly received.”

Pictured is one of Annette Makino’s new collage works. The featured haiku recently won first place in the Porad Haiku Award program.

Pictured is one of Annette Makino’s new collage works. The featured haiku recently won first place in the Porad Haiku Award program.

Makino’s haiku are regularly published in leading journals of haiku and have also appeared in a number of haiku anthologies, including the Red Moon Anthology, and she just won first place in the Porad Haiku Award sponsored by Haiku Northwest for this work:

long before language the S of the river

“It was written during a walk along the Klamath River in Orleans, and my collage is based on a photo I took there,” she said.

Twelve of Makino’s collages are featured in her 2021 haiga calendar which, along with note cards and signed prints, are available at the “Made in Humboldt” event at Pierson Garden Shop in Eureka through Dec. 24.

“This will be the only fair where you can find my work this season,” said Makino, whose work is also available at several local stores in Eureka, Arcata, McKinleyville, Trinidad and Manila. Her work is available on her website, https://www.makinostudios.com, as well.

In addition to her new collages, Makino is still offering her watercolor cards and prints for sale.

“I’m grateful to have a loyal fan base here in Humboldt and I want to make sure people can still find their favorite designs,” she said.

Open Studios: Five artists to showcase work at Samoa “hot spot”

“Dream Big” is painted in Japanese watercolors and sumi ink by Annette Makino.

“Dream Big” is painted in Japanese watercolors and sumi ink by Annette Makino.

Times-Standard
Eureka, California
May 18, 2018

Five artists will gather to share their work with the public at the Samoa Women’s Club in Samoa for the first weekend of North Coast Open Studios.

Working in silk, clay, paper, and more, this diverse group of artists will show their work on Saturday and Sunday, June 2-3, from 10 to 5. There is also a special preview on Friday, June 1 from 6-9.

The artists at the Samoa “hot spot” include silk painter Tina Gleave, Japanese watercolor artist Annette Makino, ceramicist Jennifer Rand, milliner Amy Fowler and watercolor painter Araya Shon. 

At the Samoa Women’s Club, the artists will show their work, discuss their inspirations and demonstrate their tools and techniques. They will offer original paintings for sale as well as art prints, silk clothing, one-of-a-kind hats, greeting cards, jewelry, ceramics and more.

“Open Studios is always a fun time to connect with art appreciators and local friends,” said Gleave. “This event is all about sharing art and meeting new people, which makes me appreciate my community and all it has to offer.”

Gleave is a fine art silk painter who received her Master's Status from Silk Painters International last year. She makes her silk paintings into wearable art silk prints and currently sells her fashions across the nation in museums, galleries, boutiques and national retailers. 

Makino said, “My art fully comes alive only once it is shared with others. Open Studios is a wonderful opportunity to connect with my customers one-on-one and hear stories of how my art impacts people.” 

Using Japanese watercolors and sumi ink, Makino combines her joyful paintings with original haiku and other words. Besides paintings, she will offer cards and prints of her art.

Rand enrolled in a beginning ceramics class while working on her M.A. in literature at Humboldt State University—and quickly found herself hooked. She spent several more years taking ceramics classes, as well as a semester on exchange studying ceramics at the State Academy of Art and Design in Stuttgart, Germany. 

Rand finds the ceramic medium a fascinating and unpredictable process that never fails to excite her imagination.  

Fowler is a milliner who has had her women’s fashion headwear published and shown locally and internationally. She designs her creations under the name Millinery by Amy Fowler, and is also the owner/operator of the online millinery supply business Humboldt Haberdashery.

Fowler uses a variety of classic and modern materials to construct her head pieces, and enjoys incorporating a variety of techniques in her designs. Her pieces are hand blocked and sewn, and all of the flowers and trims are handmade specifically for each piece.

Araya Shon has been painting with watercolors since she was five years old, and especially loves to paint flowers. She is currently in the eighth grade at Fieldbrook School.

The historic Samoa Women's Club, which looks out onto the dunes, is rarely open to the public. The house is located between Arcata and Eureka at 115 Rideout Avenue in Samoa, a four-minute drive from the Samoa Bridge. 

Directions are as follows: From Samoa Boulevard, turn left onto Cookhouse Road. Turn right onto Vance Avenue, and then take the first right onto Rideout Avenue.

Refreshments will be served at this family-friendly event and there will be free raffles for art. The building is wheelchair accessible.

Now in its 20th year, North Coast Open Studios is a showcase of Humboldt County artists and their work. The event is free and open to the public.

For more information about the Samoa Women’s Club event, call (888) 508-5228.