‘The ultimate affirmation’: Artist, poet Annette Makino wins a coveted Touchstone Award from the Haiku Foundation

This collage by Annette Makino is made from painted and torn Japanese washi papers. Featuring a view of the Klamath River, it incorporates her winning one-line haiku.

BY HEATHER SHELTON, TIMES-STANDARD, EUREKA, CA, APRIL 25, 2021

April 17 was International Haiku Poetry Day and, on that day, artist and poet Annette Makino received exciting news.

Makino, of Arcata, was awarded one of the highest honors for English-language haiku, a Touchstone Award from the Haiku Foundation. The annual award recognizes the best individual poems published each previous year.

“I’m thrilled that my haiku has won this award,” Makino said. “You should have heard the whooping from my house! I’ve been studying and writing haiku for 10 years now, and this feels like the ultimate affirmation that I’m getting the hang of it.”

This year, there were 1,302 poems nominated from 31 countries for the Touchstone Award.

“The Touchstone Award is unique as far as I know in that the poems must have won an award or been selected for publication before they can even be considered for nomination,” Makino said. “And most of the nominations come from haiku editors, not the poets themselves. So, it’s really the creme de la creme of all the haiku written in English that year. My husband refers to it as the Nobel Prize for haiku.”

Makino says her haiku was eligible to be nominated because it won the Porad Haiku Award sponsored by Haiku Northwest last fall. To read all of the Touchstone Award for Individual Poems winners for 2020, go to https://thehaikufoundation.org/touchstone-awards-for-individual-poems-2020.

Makino — whose work regularly appears in the leading journals and anthologies of haiku in English — wrote her Touchstone Award-winning one-line haiku while on a recent creative retreat at the Klamath River in Orleans. It reads:

long before language the S of the river

“I was walking along Ishi Pishi Road with my husband during a weeklong vacation/art retreat last summer. I looked down at the Klamath River, which parallels the road, and saw a beautiful S-shaped curve,” Makino said.

“The COVID-19 pandemic has gotten me thinking about big questions like human existence and mortality,” she added. “It occurred to me that the river was flowing long before our species came along, and will continue to flow long after our extinction. When I feel too caught up in our human dramas, there is something comforting in that knowledge.”

Artist and haiku poet Annette Makino is at work in her studio. (Photo by Brandi Easter)

Makino — whose haiku have won many other awards — first got involved with writing haiku in 2010 when her friend, Amy Uyeki, gave her a book that she and her mother had produced featuring poems by Uyeki’s Japanese grandmother.

“This introduced me to haiku and senryu, haiku’s humorous cousin,” Makino said. “From Amy, I also learned about the Japanese tradition of haiga, art combined with haiku. I soon started experimenting with writing my own poems and painting haiga.”

Makino says she loves how a haiku can convey so much in three lines or fewer.

“It’s a deceptively simple art form with great depth that rewards re-reading,” she said. “And in describing a unique personal experience or observation, a good haiku can connect to something universal. There is an intangible exchange between the poet and the reader.

“Most of us are sadly mis-taught that an English-language haiku needs to follow a five-seven-five syllable pattern,” she said. “In fact, that formula is based on a misunderstanding of how Japanese sound-syllables relate to English. Most serious haiku poets don’t follow this syllable count, writing shorter poems that more closely match the feel of Japanese haiku. There are other aspects of a haiku that are much more important and harder to master, such as the juxtaposition of two images or ideas.”

For the past decade, Makino has also run her business, Makino Studios, through which she sells her art (both Japanese watercolors and Japanese-inspired collages) and haiku in the form of cards and calendars in stores and online. She hopes to participate — as in years past — in some fairs and festivals in late 2021 if it is safe to do so.

“This past year, I have focused on creating collages using Japanese washi papers that I paint and other found papers like old letters, book pages, vintage stamps and maps,” she said. “I’m also having fun incorporating natural objects like feathers or sand dollars. And most of my pieces include an original haiku.

This collage by Annette Makino includes her original haiku: “bright green needles/on the fire-scarred redwood—/what we’ve each survived.” It is made with hand-painted rice paper printed with redwood twigs and ferns, sumi ink, acrylic paint, vintage Japanese letters and glue on illustration board.

“When I’m creating, I love how things can come together unexpectedly,” Makino said. “There is a lot of serendipity involved, especially in collage. For instance, I recently created a collage to go with a haiku about a fire-scarred redwood. I was happy to find a piece of rice paper with a big streak of black sumi ink on it to represent the burnt tree, and I came across some other papers that I had printed on a gel press using redwood twigs and ferns. I tore a couple of hand-written letters from 1920s Japan into vertical strips to represent trees in the background. It was a case where the whole is greater than the sum of its parts.”

Makino is now at work on her first full-length book with the working title “Water and Stone,” to be published in the early summer. The book, a culmination of a decade of painting and writing, will feature 50 of her haiga, painted with Japanese watercolors and sumi ink.

“I’ve always been a bookworm and a writer. Even as a kid, I wanted to publish books — about what, I had no idea,” she said.

“My art business, Makino Studios, is celebrating its 10th anniversary this year. As I mark a decade as a working artist and haiku poet,” Makino said, “it struck me that I could capture the best of my creative work over this time in a full-color book.”

She added, “It’s been a satisfying process to go through all my art and haiku and decide what to include. After I chose 50 pieces, I felt that the rhythm of so many haiku in a row was a bit monotonous. So, I drew from the past 10 years of Makino Studios blog posts and wrote 15 haibun, a Japanese literary form combining autobiographical prose with haiku. These are short vignettes or essays that will weave through the book. It was a challenge to learn a whole new writing technique, but I’m happy with the results, as I think these pieces add a lot of texture and depth to the book.”

For more information about Makino and her work, visit www.makinostudios.com or call 707-362-6644.

A ‘silver lining’: Amid the pandemic, a local artist finds a whole new artistic approach

Annette Makino of Arcata has been making art since she was a child. She’s now creating collage using hand-painted and torn washi papers combined with old letters, book pages, maps and other found papers. Her work also includes original haiku.

BY HEATHER SHELTON, TIMES-STANDARD, EUREKA, CA, NOV. 13, 2020

Local artist Annette Makino has found herself with more time on her hands during the COVID-19 health crisis, and she has used those extra hours to come up with a brand new artistic approach.

“With fairs and art shows canceled this year and some of my retailers seeing reduced sales, the pandemic has slowed down my business,” Makino said. “The silver lining of this difficult time is that I’ve had more time to play in the studio.”

After 10 years of working in watercolor and sumi ink, Makino recently switched gears and started making collages from hand-painted and torn washi papers, sometimes combined with old letters, book pages, maps, junk mail and other found papers. The collages, she said, draw inspiration from the natural landscapes of Northern California and from her Japanese heritage.

“I start with white washi paper, which is traditional Japanese paper that often has bits of leaves, rice straw or other plant fibers embedded in it,” Makino said. “I mix my own paint colors and paint the paper, then tear it as needed for my collages. … Recent collages include bits of a musical score from my choir, old family photos and a letter from my sister. It’s really meaningful to be able to incorporate different aspects of my life into my art.”

Annette Makino says the COVID-19 pandemic has influenced her haiku and art. This work was created in recent months. “(It) reflects a sense of the transience of human existence,” Makino said.

She added: “The fun thing about collage is that you can use any materials you want to make something interesting and meaningful. I paint and decorate all sorts of papers for my art, but I also save things like old keys, bird feathers and foreign stamps for possible use in collages. It fascinates me how a beautiful collage can come together from torn paper and odd bits.”

One thing that hasn’t changed in Makino’s work over the past months is the incorporation of original haiku in her creations.

Makino — who has been making art since she was a child — learned about the Japanese tradition of “haiga,” or art combined with haiku, in 2010.

“I started creating my own haiga, writing haiku and making paintings with Japanese watercolors and sumi ink,” she said. “In 2011, I started my art business, Makino Studios, which sells cards, prints and calendars of my work in stores and online.”

Haiku, she said, is a compact form of poetry, typically three short lines.

This original haiku, featured on Annette Makino’s collage work, was just published in Modern Haiku magazine.

“To write it effectively, you have to distill an observation or experience down to its essence,” Makino said. “I appreciate how the haiku mindset helps me to be more present in the moment, noticing little things like the way the woods look after a rainstorm.”

She shares this haiku — just published in Modern Haiku magazine — about her imagery above:

shortest day
on the tip of each fern
a drop of light

A few weeks ago, Makino attended a virtual haiku conference, the Seabeck Haiku Getaway, which is normally held in Washington State.

“There were about 160 haiku poets from 14 countries, some staying up all night in their time zone to participate,” she said.  “It was a lot of fun to connect with this community, even via Zoom. I gave a presentation on my new collage haiga there, the first time I’d presented this new work in a public forum, and I’m happy to say it was very warmly received.”

Pictured is one of Annette Makino’s new collage works. The featured haiku recently won first place in the Porad Haiku Award program.

Makino’s haiku are regularly published in leading journals of haiku and have also appeared in a number of haiku anthologies, including the Red Moon Anthology, and she just won first place in the Porad Haiku Award sponsored by Haiku Northwest for this work:

long before language the S of the river

“It was written during a walk along the Klamath River in Orleans, and my collage is based on a photo I took there,” she said.

Twelve of Makino’s collages are featured in her 2021 haiga calendar which, along with note cards and signed prints, are available at the “Made in Humboldt” event at Pierson Garden Shop in Eureka through Dec. 24.

“This will be the only fair where you can find my work this season,” said Makino, whose work is also available at several local stores in Eureka, Arcata, McKinleyville, Trinidad and Manila. Her work is available on her website, https://www.makinostudios.com, as well.

In addition to her new collages, Makino is still offering her watercolor cards and prints for sale.

“I’m grateful to have a loyal fan base here in Humboldt and I want to make sure people can still find their favorite designs,” she said.

Peeking Inside North Coast Open Studios

BY GABRIELLE GOPINATH, NORTH COAST JOURNAL, EUREKA, CA, JUNE 7, 2018

The interior of Joan Gold's dazzlingly patterned Eureka studio, where works in progress hang on the walls. Photo by Gabrielle Gopinath

It's the 20th anniversary of North Coast Open Studios and Monica Topping, the event's hardworking organizer, is in a hurry. NCOS has 17 first-time participants this year, she says, as well as an impressive roster of "charter artists" — those who have exhibited since the inaugural North Coast Open Studios event two decades ago. "We try to have between 10 and 20 percent new artists in any given year," she says. "We try to include youth art, as well as art made by new and upcoming artists — not all of whom are necessarily young. A lot of times new artists are people who have been making art for years, who finally decided to take the opportunity to bring their work into the public eye."

Topping works for months ahead of time to make the event run smoothly but once the event gets under way, "it's no longer mine," she says. "It becomes the artists'. And I love that transformation that happens. I just get to show up, take pictures and say hi. Every year I try to visit as many artists as I can." She emphasized the diversity and variety of work on display, as well as the different ways for viewers to approach the event. Those looking to win a gift certificate by playing the event's popular bingo card will maximize that diversity. Those with a particular interest in a certain medium could specialize "and just do two weekends of ceramics," while a trip organized around the theme of place could result in "a special trip to see art being made in your neighborhood."

Likewise, artists approach the event in different ways. Charter member Alan Sanborn first showed his watercolor landscapes in the inaugural North Coast Open Studios event 20 years ago. He has been hosting open studio events on June weekends most years since, so much so that he is able to quip, "I've never even seen North Coast Open Studios!" In Sanborn's Arcata home studio, light-filled watercolor renderings of sites like Agate Beach and the Russian River crowd the walls, seeming to bloom in the ample natural light. He remembers that the event's early years "started out pretty low-key and small. But probably by the third year, I guess that takes us back to the Clinton years, the economy was booming. For two years in a row, I sold everything on the walls." he says, beaming at the recollection. Though sales have dwindled since what Sanborn remembers as their peak, he relishes the experience as much now as he did then. While making sales is nice, he says, "we do it primarily to show our work to the community, to make contact with the audience. To show that there is a cultural interest out there."

Across town in her Eureka studio, veteran painter Joan Gold's abstract works occupy every inch of available studio wall. Gold, who is preparing for a solo show at Black Faun Gallery in November, explained that she often works simultaneously on multiple paintings this way. Entering her studio feels like stepping into a kaleidoscope. Paintings at every scale and stage of completion surround you, dashed and patterned with vibrating matrices in azure, turquoise, hot pink, tomato red and parakeet green, layering on top of other paintings for a retinal experience that's nothing short of dazzling.

On the other side of Humboldt Bay, ceramicist and second-time Open Studios participant Jen Rand was at the Samoa Women's Club, showing a graceful range of high-fired stoneware on an oceanfront veranda. Many of her pieces are ornamented with a rhizomatic design that recalled tree branches or roots. She was happy to talk about process: "I start with a dark clay called Black Mountain and then I put on a liquid porcelain slip, and then a glaze on top of that." The process of firing at high temperatures, she says, allows each piece's ultimate appearance to be shaped by chance.

At the same venue, artist and designer Annette Makino is showing a selection of her popular greeting cards featuring Japanese-inflected watercolors and haiku. She describes the event as "a chance to connect directly with people. I am creating for the market," she explains, "and I sell a lot in stores and online. But in those venues, you don't get that sense of direct connection with the members of your audience like you do here."

"People have come up to me in the past (at North Coast Open Studios) and told me about a particular piece, describing why it has been meaningful to them," Makino recalls. "One time a woman told me that she had been having a fight with her sister and she sent her one of my cards, hoping to make peace, and in fact they were able to be reconciled. And, of course, I was happy to hear that. For me, laboring in my studio, the work doesn't really get reconciled until it goes out there in the world."

The 20th annual North Coast Open Studios event runs June 1-3 and June 9-10 at locations from Trinidad to Scotia. The free schedule is available in newsstands and at www.northcoastopenstudios.com

Gabrielle Gopinath is an art writer, critic and curator based in Arcata. 

Open Studios: Five artists to showcase work at Samoa “hot spot”

“Dream Big” is painted in Japanese watercolors and sumi ink by Annette Makino.

Times-Standard
Eureka, California
May 18, 2018

Five artists will gather to share their work with the public at the Samoa Women’s Club in Samoa for the first weekend of North Coast Open Studios.

Working in silk, clay, paper, and more, this diverse group of artists will show their work on Saturday and Sunday, June 2-3, from 10 to 5. There is also a special preview on Friday, June 1 from 6-9.

The artists at the Samoa “hot spot” include silk painter Tina Gleave, Japanese watercolor artist Annette Makino, ceramicist Jennifer Rand, milliner Amy Fowler and watercolor painter Araya Shon. 

At the Samoa Women’s Club, the artists will show their work, discuss their inspirations and demonstrate their tools and techniques. They will offer original paintings for sale as well as art prints, silk clothing, one-of-a-kind hats, greeting cards, jewelry, ceramics and more.

“Open Studios is always a fun time to connect with art appreciators and local friends,” said Gleave. “This event is all about sharing art and meeting new people, which makes me appreciate my community and all it has to offer.”

Gleave is a fine art silk painter who received her Master's Status from Silk Painters International last year. She makes her silk paintings into wearable art silk prints and currently sells her fashions across the nation in museums, galleries, boutiques and national retailers. 

Makino said, “My art fully comes alive only once it is shared with others. Open Studios is a wonderful opportunity to connect with my customers one-on-one and hear stories of how my art impacts people.” 

Using Japanese watercolors and sumi ink, Makino combines her joyful paintings with original haiku and other words. Besides paintings, she will offer cards and prints of her art.

Rand enrolled in a beginning ceramics class while working on her M.A. in literature at Humboldt State University—and quickly found herself hooked. She spent several more years taking ceramics classes, as well as a semester on exchange studying ceramics at the State Academy of Art and Design in Stuttgart, Germany. 

Rand finds the ceramic medium a fascinating and unpredictable process that never fails to excite her imagination.  

Fowler is a milliner who has had her women’s fashion headwear published and shown locally and internationally. She designs her creations under the name Millinery by Amy Fowler, and is also the owner/operator of the online millinery supply business Humboldt Haberdashery.

Fowler uses a variety of classic and modern materials to construct her head pieces, and enjoys incorporating a variety of techniques in her designs. Her pieces are hand blocked and sewn, and all of the flowers and trims are handmade specifically for each piece.

Araya Shon has been painting with watercolors since she was five years old, and especially loves to paint flowers. She is currently in the eighth grade at Fieldbrook School.

The historic Samoa Women's Club, which looks out onto the dunes, is rarely open to the public. The house is located between Arcata and Eureka at 115 Rideout Avenue in Samoa, a four-minute drive from the Samoa Bridge. 

Directions are as follows: From Samoa Boulevard, turn left onto Cookhouse Road. Turn right onto Vance Avenue, and then take the first right onto Rideout Avenue.

Refreshments will be served at this family-friendly event and there will be free raffles for art. The building is wheelchair accessible.

Now in its 20th year, North Coast Open Studios is a showcase of Humboldt County artists and their work. The event is free and open to the public.

For more information about the Samoa Women’s Club event, call (888) 508-5228.

Artist celebrates autumn at North Country Fair

Times-Standard
Eureka, California
Sept. 14, 2017

While attending a haiku conference in Washington state last fall, Arcata-based artist Annette Makino opened her window to catch the fresh scent of rain as it fell on the maple trees outside. That simple but evocative moment led to her to paint the image and write the haiku for this painting.

“Dusk settling” is painted on paper with sumi ink and Japanese watercolors. It is one of several paintings that will be on view in the Makino Studios booth at the North Country Fair this Saturday and Sunday from 10 a.m. to 6 p.m.

In addition to original paintings, Makino will offer her new greeting cards, signed art prints and 2018 calendars of art and haiku.

The Makino Studios booth can be found on G Street near Moore’s Sleepworld. For more information about Makino’s work, see www.makinostudios.com or call 707-362-6644.

Seven in Samoa: Group of artists to showcase work together

Times-Standard
Eureka, California
June 2, 2017

Seven Humboldt artists will join forces for the first weekend of North Coast Open Studios at the Samoa Women’s Club in Samoa. Working in silk, clay, watercolors, sumi ink and photography, this diverse group of artists will show their work on Saturday and Sunday from 10 to 5. There is also a special preview tonight from 6 to 9 p.m.

The “Seven in Samoa” includes silk painter Tina Gleave, Japanese watercolor artist Annette Makino, pet portrait artist Leslie Allen, ceramicist Jennifer Rand, photographer and mixed media artist Nancy Baar, and watercolor painter Araya Shon. Manga-inspired drawings by Kaylee Paredes will also be shown. Kaylee, who participated in Open Studios at the same venue last year, died of an asthma attack just before her 15th birthday in February. This year’s event is dedicated to her, and proceeds from her art sales will benefit a fund for high school artists.

At the Samoa Women’s Club, the artists will show their work, discuss their inspirations and demonstrate their tools and techniques. They will offer original work for sale as well as art prints, silk clothing, greeting cards, jewelry, ceramics and more.

Allen paints watercolor portraits of people and their pets. She said, “My experiences with many rescued pets have finally intersected with my painting. Creating an image of a beloved pet is very rewarding for me.”

Baar has explored many mediums throughout her artistic career—while her love of flowers has been a constant. But the day her first digital camera arrived in the mail, she knew she had found her true passion.

Inspired by nature and all things art, Gleave finds her original designs in everyday life and adds a ethereal quality to her silk paintings. She transforms her hand-painted designs into wearable fashions, including scarves, wraps, shirts, kimonos and jewelry. She said, “Open Studios is a wonderful opportunity to connect directly with the public and share my work in a relaxed, friendly environment.”

Using Japanese watercolors and sumi ink, Makino combines her joyful paintings with original haiku and other words. She said, “My goal as an artist and writer is to help people find joy and meaning in their daily lives and deepen their connections with the people they love.”

Rand says she is drawn to ceramics primarily for the sense of connection it gives her to something larger than herself. “Through my work, I feel as if I am able to participate in the long geologic history of the earth itself and its natural processes,” she said. “I hope, through my art, to evoke some sense of the wonder of these processes and the world to which they have given birth.”

Shon has been painting with watercolors since she was 5 years old, and especially loves to paint flowers. Now in seventh grade at Fieldbrook School, she said, “Painting makes me very happy. Art has the ability to touch people; I want to change the world with my art.”

The historic Samoa Women’s Club, which looks out onto the dunes, is rarely open to the public. The house is located between Arcata and Eureka at 115 Rideout Avenue in Samoa

Refreshments will be served at this family-friendly event. The building is wheelchair accessible. The event is free and open to the public.

Healing images: Artists create messages of hope for Japan

“May a thousand cranes” is 9×12, painted with ink on rice paper. © Annette Makino 2011

By Heather Shelton
Times-Standard
Eureka, California
March 26, 2016

“May a thousand cranes
spread their wings over Japan
Bringing hope and healing.”

This brief prayer, coupled with vee of cranes flying over a red sun, was artist Annette Makino’s way of honoring and remembering the many thousands affected by the catastrophic earthquake, tsunami and nuclear accident that devastated northeastern Japan five years ago this month.

“The crane is a powerful symbol in Japanese culture, representing longevity and good luck as well as peace and hope,” said Makino, who completed the painting on rice paper a few days after the unforgettable events of March 11, 2011.

Makino — who resides in Arcata — has close ties to the island nation. Her husband, semi-retired Humboldt State University Professor Paul Blank, recently returned from Japan, where he chaperoned Northcoast Preparatory and Performing Arts Academy students on a trip to Hiroshima, Kyoto and Tokyo. And Makino herself lived in Takasaki, Japan, with her family at her grandparents’ home for several months when she was 8 years old. She has also visited the country twice in recent years.

“My Japanese father lived in Japan and I visited him and our other relatives there,” she said. “Later, my sisters and I returned for his funeral and then did some traveling around the country.”

Makino says her childhood stay in Takasaki was formative. Her grandparents lived in a traditional Japanese home, with tatami mats on the floors, rice paper screens separating rooms, low tables and futons that were stashed during the day and rolled out at night. Her grandfather had a special tearoom connected to the main house where he spent a lot of time meditating, and both her grandparents practiced Shinto and Buddhism.

“The kitchen was the only modern room in the house,” Makino said. “It had a Western-height table and chairs and a small television where we children watched mystifying Japanese soap operas. Sometimes our Japanese cousins came to visit and taught us origami, the art of folding paper.”

To be immersed in the culture, spirituality and aesthetics at such a young age proved a powerful experience, Makino said, noting it permeates her life and art.

“Only in returning to Japan as an adult have I understood how deeply my temperament, creative expression and values reflect traditional Japanese culture,” she said.

Today, her artwork draws from several Japanese traditions. Inspired by a style of painting called haiga, in which art is combined with haiku, Makino often includes this traditional form of Japanese poetry — as well as other poignant or playful words — in her creative pieces.

“I’ve been honored that my haiku have won awards and gotten selected for haiku anthologies and the leading haiku journals,” said Makino, who also pulls from several Japanese practices when creating the imagery in her work.

“First, I draw on the ancient technique of brush painting, where you grind an ink stick in an ink stone with water to make ink, then apply it to rice paper using bamboo brushes,” she said. “This is very difficult to do well, and can take decades to master. I’m not trying to create those kinds of traditional paintings, but I’ve adapted the tools and techniques from that medium for my art.

“Finally, I have learned from the Japanese custom of exchanging etegami, hand-painted postcards with a few heartfelt words that are mailed to friends. These typically involve bold, outlined images that spill over the edges of the postcard,” she said.

“when someone you love” depicts a scene from the Arcata Marsh. Annette Makino wrote the words in response to the loss of her father four years ago. The painting was done in February 2016 with sumi ink and Japanese watercolors on watercolor paper with some digital collage. It is available as a sympathy card. © Annette Makino 2016

“when someone you love” depicts a scene from the Arcata Marsh. Annette Makino wrote the words in response to the loss of her father four years ago. The painting was done in February 2016 with sumi ink and Japanese watercolors on watercolor paper with some digital collage. It is available as a sympathy card. © Annette Makino 2016

To celebrate the fifth anniversary of her art business, Makino Studios, Makino and her family — including husband Paul, daughter Maya and son Gabriel — are taking a three-week trip to Japan this summer, where the artist will not only visit family, but also further hone her creative skills.

“We will visit my Japanese relatives in Tokyo, probably spend a few days walking one of the ancient pilgrimage trails, soak in some hot springs, visit temples and art museums and eat lots of sushi and udon noodles. We four all love Japanese cuisine,” she said. “Though it’s fairly remote, I also hope to visit the 300-year-old Makino sake factory run by my relatives, with its own Makino temple.

“In addition,” she said, “I am on a mission to find a certain kind of narrow, supple bamboo brush that I bought in Tokyo in 2012 and have not been able to find anywhere since. It’s my favorite brush and I use it for all the writing in my pieces, but it’s wearing out. And, I also need to buy more Japanese watercolors, or gansai paints. They have a deeper, more intense, color than Western watercolor paints.”

ANOTHER ARTIST’S STORY

Makino’s friend and fellow local artist Amy Uyeki has close connections to Japan, too, and in her artwork has also paid tribute to those impacted by the devastating events of March 2011.

Uyeki illustrated the 2015 book, “The Extraordinary Voyage of Kamome: A Tsunami Boat Comes Homes,” written by HSU professor Lori Dengler and Amya Miller, director of global public relations in Rikuzentakata, Japan. Uyeki was also on hand earlier this month when Dengler gave a keynote address at the Tokyo National Museum on the earthquake, tsunami and Kamome boat story.

The children’s book tells the true story of a small boat washed out to sea during the tsunami. Over time, the vessel traveled from Rikuzentakata to the Crescent City shore. Del Norte High School students raised funds to make sure the boat got back home to the coastal Japanese town, and made friendships with Rikuzentakata residents along the way.

“The writing on the boat Kamome — the key factor in its identification — was made by a mutual friend of ours, Kumi Watanabe Schock,” Uyeki said. “When Lori was looking for an artist to illustrate the book, Kumi suggested she contact me, as she was quite familiar with my artwork.”

Uyeki says she was incredibly touched by this true story, and felt honored to be a part of the project.

“For many years since the Japanese earthquake and tsunami, I’ve wanted to help in some way, but couldn’t find the means other than sending condolences and donations,” she said. “Using my images to tell this story about hope and kindness and resiliency was something I could contribute — and Lori’s mission of disaster preparedness and talking to children so they are armed with the proper steps (a section that is added in the back of the book) fit perfectly — a teachable moment.”

Uyeki did plenty of research as she did the illustrations, working from photographs, videos, books, the Internet and a personal tour of the panga boat housed at the weather station on Woodley Island, courtesy of Troy Nicolini.

“I wanted to portray things accurately, but also to show my own style, which has been influenced by Japanese art,” said Uyeki who, with her trip earlier this month, has traveled to Japan — like Makino — three times over the years.

“This (was) our longest trip — 2½ weeks,” Uyeki said. “Our other trips were limited to visiting friends and family, but this trip gave me and my husband, Rees Hughes, the opportunity to visit Rikuzentakata, where the boat is from and the area that suffered much damage and many casualties.”

She added: “I’m still processing the experience of seeing the devastated areas and the enormous task that the community and Japan has taken to rebuild Rikuzentakata and the region. We also visited Hiroshima … and the parallels between the devastation and the resiliency of the human spirit were not lost on us.”

‘Water & Earth’ depicts local landscapes

“Water and stone” by Annette Makino shows a scene from Luffenholtz Beach near Trinidad and includes one of the artist’s original haiku. © 2015 Annette Makino

Times-Standard
Eureka, California
Aug. 13, 2015

EUREKA –The untamed beauty of Humboldt County’s diverse natural places inspired Annette Makino’s solo art show, “Water & Earth,” on view at Libation in Arcata through the end of August.

Acoustic guitarist and vocalist Duncan Burgess will perform at Libation during Arts! Arcata tonight from 6 to 9 p.m.

“This show takes its name from the fact that all the pieces depict local Humboldt landscapes of water and/or earth, such as Luffenholtz Beach, the Klamath River or the Kneeland hills,” said Makino. “Also, because sumi ink is made of pine soot and watercolors are traditionally made with earth pigments, I am literally working with water and earth to create these images.

“In the paintings for this show, I hope to convey the vibrant beauty and meaning we can find by deeply observing the natural world.”

The Arcata-based artist often combines her images with original haiku or other words. Her extensive collection of art cards can be found in local stores, and her prints and cards will also be available at Libation during the course of the show. Although Makino has been exhibiting her work locally since 2011, this will be her first show in Arcata.

Libation is located at 761 Eighth St. on the Arcata Plaza. The specialty wine store and wine bar is open Monday through Thursday from 11 a.m. to 9 p.m. and Friday and Saturday from 11 a.m. to 10 p.m.

‘Before we were tamed’: Artists team up for Open Studios, nature-inspired show

Annette Makino often incorporates haiku in her paintings, such as this one. © 2015 Annette Makino

Times-Standard
Eureka, California
June 5, 2015

EUREKA – Artists Tina Gleave and Annette Makino are joining their creative forces for two overlapping events this weekend.

As part of North Coast Open Studios, they will share their techniques and their newest paintings at Ramone’s Bakery and Café, 209 E St., from 11 a.m. to 5 p.m. each day.

They are also launching a joint show there, called “Before we were tamed,” with an opening reception during Arts Alive from 6 to 9 p.m. Saturday.

Gleave, a silk painter based in Rio Dell, said, “Though Annette and I use very different materials and techniques, this year we have both been inspired by the endless variety and beauty of nature to paint wilderness landscapes.”

Gleave will be showing her newest work: dramatic painted silk banners. She will also have lamps with hand-marbled silk shades for sale. She will show Open Studios visitors how she paints on silk using special dyes.

“Participating in Open Studios is always so rewarding because I am able to share my passion for art with interested people, while introducing new projects and visiting with everyone,” she said.

For the second year in a row, Gleave has been selected as an Artist-in-Residence at Yosemite National Park. She will be teaching silk painting to park guests from June 15 to 20 and exhibiting silk paintings of Yosemite. For more information, visit www.silksquirrel.com.

Makino, who paints with sumi ink and Japanese watercolors, is also a widely published haiku poet. For the past two years, the Arcata artist’s haiku have been honored as among the best of the year. She often incorporates original haiku or other words in her pieces.

The show takes its name from Makino’s painting of a red fox that includes this haiku:

fox tracks…
who were we before
we were tamed?

“Several of the paintings I’ll be showing depict local wildlife and Humboldt landscapes like the Arcata Marsh and the Kneeland hills,” said Makino. “In these pieces I’m exploring humans’ connection with nature — what we know, what we’ve forgotten, what we can learn. I’m really excited to share the new work with people.”

At Open Studios, Makino will demonstrate how she paints with sumi ink and Japanese watercolors using bamboo brushes. She will also have prints and cards for sale. For examples of her art, go to makinostudios.com.

Gleave and Makino will only be participating in North Coast Open Studios during the first weekend, but their joint show will be up through the month of June.

A window into creativity - StewArt Studios hosts 10th annual Holiday Open Studios Dec. 6 & 7

Mad River Union
Arcata, California
Nov. 26, 2014

ARCATA – Artists Patricia Sennott, Joyce Jonté and Annette Makino will provide a window on their creative processes at Holiday Open Studios on Saturday and Sunday, Dec. 6 and 7. This free, family-friendly event takes place at StewArt Studios in Arcata from 11 a.m. to 5 p.m. both days.

Sennott, who will be showing new monotype prints of birds and flowers, said, “It’s a great chance for the public to see behind-the-scenes art making. I can show my sketchbooks, drawings, and works in progress. When I visit other artists, I like seeing the early stages to understand how their work comes about.”

Jonté, a watercolor painter and mixed media artist specializing in nudes and florals, said, “Open Studios helps the public realize that artists are very human. Not everything we create is perfect. By visiting our studios and watching our demos, people can see the process and experience what we do.”

For Holiday Open Studios this year, StewArt Studios is hosting guest artist Makino, whose paintings in sumi ink and Japanese watercolors are often combined with haiku or other words.

“I’m delighted to team up with these talented artists to share our work with the community,” said Makino. “For artists, it’s really vital to hear how people respond to what we create, and Open Studios is a great way to get that feedback.”

Jonté will host an art corner in her studio where kids of all ages can come and experiment with water-soluble media. On Sunday at 1 p.m., Sennott will offer a demonstration of monotype printmaking.

All three artists will have framed and unframed originals for sale, along with fine art reproductions and greeting cards.

Art by StewArt Studios members Carol Andersen, Susan Bornstein, Carol Falkenthal and Libby George will also be on view and available for sale.

This year, StewArt Studios is celebrating its 10th year of hosting Holiday Open Studios. This event is in addition to the county-wide North Coast Open Studios that takes place over two weekends every spring.

“Open Studios is always really exciting,” said Jonté. “Many people don’t know about the wonderful things happening in this corner of the community. This is a fun way to spread the word.”

Currently home to seven artists, StewArt Studios also hosts the Arcata Life Drawing Circle three times per week (see www.drawing.nu for details). In addition, Sennott teaches a monotype class there on Monday evenings and Jonté offers private and group lessons in drawing and mixed media.

StewArt Studios is located at 1125 16th Street near Arcata High School, in the old Stewart School office building. Direction are as follows: Enter the parking lot from L Street between 15th and 16th Streets. Walk into the building on the ground level through the doors beneath the stairs, then look for Suite 105.

For more information, call 707-498-6224.

‘Ripples From a Stone’ – Artist friends share spotlight

Times-Standard
Eureka, California
Oct. 31, 2014

EUREKA – Arcata artists Annette Makino and Amy Uyeki are teaming up for a show called “Ripples from a Stone” at the Adorni Center through November. Both artists will display artworks that combine images with haiku and other words.

“The show takes its name from the idea that we all influence each other in surprising and unpredictable ways,” Makino said. “For instance, Amy’s grandmother, whom I never met, was instrumental in launching my life path as an artist and poet.”

Uyeki’s grandmother, Shizue Harada, wrote haiku and its wry, funny cousin, senryu. Her poems reflected her life as a Japanese immigrant who came to the United States in the 1920s in an arranged marriage.

“I got an instant visual from her poetry,” Uyeki, a mixed media artist, recalled. Her grandmother’s poignant and humorous poems inspired Uyeki to create a number of art pieces. She used varied techniques including pastel drawings, oil paintings, wood block prints and monotypes.

Uyeki and her mother eventually worked together to publish a book of Harada’s poems combined with these artworks. The book is titled Sanae, Senryu Poet: Her Life in 5-7-5. Four years ago, Uyeki gave a copy of this book to her longtime friend Annette Makino as a birthday gift.

“That little book was transformative for me,” Makino said. “It opened my eyes to the possibilities of haiku and senryu to share insights and tell mini-stories about real life. I also learned about haiga, the Japanese tradition of combining paintings with haiku, which inspired me to launch a new career as an artist.”

Based on her paintings of sumi ink and watercolors that include haiku and other words, Makino now has a growing line of prints, cards and calendars sold through her art business, Makino Studios. These are offered at 18 Humboldt County stores and will be available all month during the Adorni Center show.

Recently reprinted by Bug Press in Arcata, Uyeki’s book will also be available for sale at the show and can be ordered online (www.amyuyeki.com).

“To me, what’s exciting in both haiku/senryu and the artwork is that they are so sparse and oblique that they can be interpreted in many different ways,” Uyeki said. “I hope my interpretations won’t be the only ones. Viewers can go in their own direction—and that will be another ripple from the stone.”

The Adorni Center is located at 1011 Waterfront Drive in Eureka. Although there will not be an opening reception, the show can be viewed now through the end of November when the center is open: Monday-Friday 6 a.m. to 9 p.m., Saturday 9 a.m. to 9 p.m., and Sunday 9 a.m. to 4 p.m.

Coincidentally, artist Diana Lynn is featuring a haiku by Makino in an interactive installation called “Impermanent Marks” running through the month of November. Opening at the Black Faun Gallery at 120 Second Street in Old Town Eureka on Saturday for Arts Alive! from 6 to 10 p.m., the show invites visitors to write or paint with water on large “Buddha board” scrolls.

For more information, call 707-362-6644.

‘Dare to dream’ offers whimsy

Times-Standard
Eureka, California
Sept. 19, 2014

Arcata artist Annette Makino was inspired to paint “dare to dream” by her mother’s chicken Lucky, which was able to fly up into trees. This whimsical piece also reflects Makino’s own journey of pursuing a career as an artist and provides encouragement to others on an unconventional path.

Painted with sumi ink and Japanese watercolors, this 11-inch-by-14-inch piece is one of several paintings that will be on view at the Makino Studios booth at the North Country Fair this weekend. Makino will also be offering the complete collection of her popular greeting cards, art prints and 2015 calendars.

Held on the Arcata Plaza since 1974, the fair will feature some 200 craft and food booths as well as two parades and live music on two stages. Celebrating the fall equinox, the fair runs Saturday and Sunday from 10 a.m. to 6 p.m. Admission is free.

The Makino Studios booth can be found near the corner of G and Ninth Streets by Hot Knots. For more information about Makino’s work, see www.makinostudios.com or call 362-6644. For more information about the North Country Fair, see www.sameoldpeople.org or call 822-5320.

‘Savor the Day’

Times-Standard
Eureka, California
Aug. 1, 2014

EUREKA – This sumi ink and watercolor painting by Annette Makino, titled “…and they lived happily ever after,” is part of “Savor the Day,” a solo exhibit by the artist showing at Humboldt Herbals through August.

Meet the artist on Saturday from 6 to 9 p.m. during Arts Alive! and enjoy free refreshments and live music by Seabury Gould and Frank Anderson. A gallery of Makino’s work can be viewed at www.makinostudios.com.

Humboldt Herbals is located on the corner of Second and D streets in Old Town Eureka. For more information, call 442-3541.

Paintings invite one to ‘Savor the Day’

Times-Standard
Eureka, California
July 4, 2014

EUREKA – Painter and haiku poet Annette Makino focuses on the small joys of everyday life in her new solo show, “Savor the Day,” at Humboldt Herbals. The exhibit opens during Arts Alive! on Saturday from 6-9 p.m. with a reception including live music by guitarist and vocalist Leah Tamara.

“I like to express the sweetness and delight in simple things, like honeybees at work in their hives, or a chicken taking a short, awkward flight,” Makino said. “I’m interested in art that lifts the spirit and helps people feel more connected to the world around them and each other. The challenge is to do this in a way that is authentic and heartfelt rather than clichéd or sentimental.”

Drawing on Japanese artistic traditions, Makino paints images on paper using sumi ink that she grinds in an ink stone and applies with bamboo brushes. She adds color with Japanese watercolors, and then hand paints her original haiku or other words directly onto the painting. Finally, she stamps each piece in red with her personal name seal.

Besides being an artist, Makino is an award-winning haiku poet whose work is regularly published in the leading journals of haiku in English. She often expresses a quiet Zen humor in her work. Red Moon Press and the Haiku Foundation’s Touchstone Awards both selected the following as one of the best haiku of 2013:

cowlick
some part of me
still wild

Much of Makino’s work is inspired by the Japanese tradition of haiga, artwork combined with haiku so that the image and words deepen and enrich each other. She also draws on the Japanese custom of etegami, painting and mailing postcard art featuring a few well-chosen words.

Makino has a growing line of greeting cards, prints and calendars of her art. Her cards can currently be found in 30 stores in four states. The latest stores to carry her line are Powell’s Books in Portland, Ore.and LifeSource Natural Foods in Salem, Ore.

At the opening reception Saturday, Makino will be offering several new card and print designs and a brand-new, 16-month art calendar for 2015 called “Poetry & Honey.” An online gallery of her work can be viewed at www.makinostudios.com.

Makino will also be at Humboldt Herbals on Aug.2 for a reception during August’s Arts Alive!, with live music by Seabury Gould and Frank Anderson. Her show runs through the end of August.

Humboldt Herbals is located at 300 Second St, on the corner of Second and D streets in Old Town Eureka. Hours are Monday through Saturday from 10 a.m. to 6 p.m. and Sunday from noon to 5 p.m. For more information, call 442-3541 or email emailus@humboldtherbals.com.

Silk, paper and feathers: 3 artists to show work

Redwood Times
Eureka, California
May 27, 2014

SAMOA – Silk, paper and feathers are the mediums of choice for three artists who are showing their work together for the first weekend of North Coast Open Studios.

Silk painter Tina Gleave, Japanese ink painter Annette Makino, and feather jewelry artist Marianne Odisio will share their art and demonstrate their techniques at the Samoa Women’s Club on Saturday, May 31 and Sunday, June 1 from 11 a.m. to 5 p.m.

“I love experimenting with my art, asking questions and expressing the peaceful beauty of nature,” says Rio Dell artist Tina Gleave. “Silk just lets me be me!”

Gleave was selected as the artist-in-residence at Yosemite National Park for the week of June 16, where she will teach a silk painting workshop. She is also traveling to Durfort, France to lead a week-long silk painting retreat starting September 29.

Her painting of wilting white roses, “Swan Song,” just won an award in the national Art Comes Alive contest and will be exhibited at a show in Cincinnati, Ohio

At the Samoa Women’s Club, Gleave will offer large-scale silk paintings of flowers and other natural imagery, along with hand-painted silk scarves, leather purses featuring painted silk panels, and greeting cards. For a preview of her art, see www.silksquirrel.com.

Arcata-based artist Annette Makino says, “After writing and painting alone in my studio, it is really fun and exciting to share new work with the public. Open Studios is one of my favorite venues for connecting with Humboldt folks from all walks of life who enjoy and appreciate art.”

Makino is a haiku poet who combines Japanese ink paintings with her haiku and other words. Often expressing a gentle Zen humor, her poems have won several awards and been selected for a number of anthologies, including the prestigious Red Moon anthology of the best haiku of 2013.

Greeting cards of her Makino Studios design can be found in two dozen California stores as well as retailers in Oregon, Washington, DC, and New York.

At Open Studios, she will have new paintings, prints, and cards for sale and will demonstrate how she paints with sumi ink on rice paper using bamboo brushes. A gallery of her art is online at makinostudios.com.

“Feathers fascinate me,” says Marianne Odisio. “It is a joy to work with the wide spectrum of colors and textures these natural fractals produce.”

Based in Redway, Odisio works with a variety of feathers, pairing them with dentalium and cowrie shells, sea urchin spines, beads made from wood, ceramics, glass, precious stones and other materials. She creates colorful original jewelry, hairpieces and masks.

She says, “Acquiring a new piece of jewelry is often an intensely personal decision. It’s a great feeling to see my work resonate with the person choosing it.”

The historic Samoa Women’s Club, which looks out onto the dunes, is rarely open to the public. The house is located between Arcata and Eureka at 115 Rideout Ave. in Samoa, a four-minute drive from the Samoa Bridge.

Directions are as follows: From Samoa Boulevard, turn left onto Cookhouse Road. Turn right onto Vance Avenue, and then take the first right onto Rideout Avenue.

Free refreshments will be served at this family-friendly event.

Now in its 16th year, North Coast Open Studios is a showcase of Humboldt County artists and their work. This year, there are more than one hundred artist listings from Miranda to Trinidad. The event is free and open to the public.

For more information about the Samoa Women’s Club event, call 834-6460.

‘Hungry Ghosts’

Ink People show features Asian and Pacific Islander artists

Times-Standard
Eureka, California
April 4, 2014

EUREKA — For the first time since 1994, a group show will feature the work of local artists with Asian and Pacific Islander backgrounds. Sponsored by the Ink People Center for the Arts, “Hungry Ghosts: Pan Asian and Pacific Islander Perspectives” opens Saturday with a reception from 6 to 9 p.m. during Arts Alive! at the Brenda Tuxford Gallery in Old Town.

“We’re excited to celebrate the work of more than a dozen Humboldt artists who share Asian and Pacific Islander ancestry, but who express their creativity in very different mediums and styles,” said participating artist Annette Makino.

Robert Sataua, a member of the gallery committee organizing the show, said, “People have an expectation of what it means to be Asian, of what a Samoan man like myself should be, or what a Japanese woman should be.

“This show allows us to express and define ourselves without any expectations, and will give people some insight into the real and diverse experiences of people with Asian Pacific Islander roots.”

Coincidentally, the show will include three sets of sisters among the participating artists. These include collage artist and painter Margaret Uemura and her sisters, sculptor Katie Uemura and jewelry maker Laurie Aiko Lynch; haiku poet and sumi ink painter Annette Makino and her sister, clay painter Yoshi Makino; and ceramic artists Jennifer Be and Catherine Be.

Other artists confirmed include mixed-media artist Amy Uyeki, Japanese tattoo artist Brian Kaneko, painter Jessica Afable, artisan Leah Sachiko and Robert Sataua, a printmaker and painter.

At the opening, Felicia Yang will screen her video documentary about the local Hmong experience, created as a Marz project through the Ink People.

“Hungry Ghosts” takes its name from a festival practiced in many different traditions throughout Asia. The overarching theme of these ceremonies is to remember and pay respect to the dead. In the same way, this exhibition is intended as a tribute to traditional art forms throughout Asia and the Pacific Islands that continue to be practiced and interpreted by artists today.

The Brenda Tuxford Gallery is located upstairs at 325 Second St. in Eureka. Regular hours for the gallery are Monday through Friday from 9 a.m. to 5 p.m.

For more information, contact thebrendatuxfordgallery@gmail.com or call Robert at 954-8338.

New work: Merry & bright

Times-Standard
Eureka, California
Dec. 6, 2013

This time of year, Arcata artist Annette Makino sets herself a special challenge: to paint holiday pieces that are fresh and original, avoiding cliched themes. This image of three ripe persimmons on the branch, titled “merry & bright,” is one of several nontraditional holiday pieces.

Makino will be offering her new work at the Humboldt Artisans Crafts and Music Festival this weekend, today through Sunday, at the Redwood Acres Fairgrounds in Eureka. Makino will also have a booth at the Holiday Craft Market at the Arcata Community Center on Dec. 14 and 15. To see more, visit makinostudios.com.

Zen humor and insights

Times-Standard
Eureka, California
Sept. 20, 2013

Arcata artist Annette Makino will be showing several new paintings at her booth at the North Country Fair this weekend, including the piece shown here, “in meditation.”

Painted with sumi ink and Japanese watercolors on textured paper, Makino’s work combines images with haiku and other phrases to express Zen humor and insights. Her unique art cards are currently available in 16 stores around Humboldt County, as well as retailers in Washington, D.C., New York, Oregon and elsewhere in California.

The fair is an opportunity to meet the artist, view her original pieces and shop her entire card line. Held on the Arcata Plaza, the two-day North Country Fair features some 200 craft, food and information booths as well as two parades and two stages for live music. The fair runs Saturday and Sunday from 10 a.m. to 6 p.m. and admission is free.

The Makino Studios booth can be found near the corner of Ninth and G streets by Hot Knots.

For more examples of Makino’s art, see www.makinostudios.com.

 

Haiku art featured at Persimmons Garden Gallery

Arcata artist Annette Makino debuts in SoHum

Redwood Times
Garberville, California
July 1, 2013

Arcata artist Annette Makino will show her Japanese-inspired paintings in Southern Humboldt for the first time in July at Persimmons Garden Gallery. The public is invited to the opening on Friday, July 5 from 6 to 9 p.m., which will also feature live music by The SoHum Girls Band and The Fabulous Resinaires.

”I’m really excited to share my work with folks in SoHum, and Persimmons is such a warm and inviting place to show work,” Makino said. “I’ve created several new paintings for this show, and am looking forward to hearing people’s responses.”

Using bamboo brushes, Makino paints with sumi ink and watercolors on rice paper and other papers. Updating a Japanese art form called haiga, she combines her paintings with original haiku and other poem fragments.

Makino’s pieces convey a quiet Zen perspective and gentle sense of humor. Many of her paintings portray flowers, plants or landscapes; dogs are another common theme. A close-up painting of flowering red clover includes this haiku:

three-leaf clover
counting the blessings
in the everyday

Makino grew up with a Japanese father and a Swiss mother, and has lived in both Japan and Europe. She draws inspiration from those roots, as well as the untamed beauty of the Pacific Northwest.

She comes to her work with more than thirty years experience in writing and graphic design as a communications and outreach specialist for nonprofit organizations. She has a degree in international relations from Stanford University and has studied drawing, painting and graphic design at Humboldt State University.

Makino has published her poems and haiga (haiku art) widely, and her haiku recently took first prizes in two categories in the ukiaHaiku Festival.

She has previously shown selected prints at the Mateel Cooperative Gallery in Garberville, but the Persimmons exhibit marks the first time she will be showing original work in SoHum.

Makino’s show will run through July and August, along with works by Piercy ceramic artist Nan Penner. There will also be signed prints and greeting cards of Makino’s art for sale at Persimmons. There is an online gallery of her work at www.makinostudios.com.

Playing at Persimmons the evening of the art opening will be The SoHum Girls with Marcia Mendels, Brigette Brannan and their band. Their music spans rock, ballads, country and pop. Making a special appearance will be The Fabulous Resinaires, who keep audiences laughing with their costumes and witty song lyrics.

Persimmons Garden Gallery is located at 1055 Redway Drive in Redway. For more information, call 923-2748.

Samoa Women’s Club hosts five artists for NCOS

Times-Standard
Eureka, California
May 24, 2013

SAMOA — Showing work together for the first time, five local female artists will join forces and demonstrate their tools and techniques at the historic Samoa Women’s Club, 115 Rideout Ave., during the first weekend of North Coast Open Studios on June 1 and 2.

The Samoa event will run for one weekend only, from 11 a.m. to 5 p.m. both days. Participating artists include silk painter Tina Gleave, beeswax collage artist Gigi Floyd, fiber artist Cindy Shaw, ceramic artist Marty Flora and Japanese-ink painter Annette Makino.

During this free, family-friendly event, Makino will grind a sumi ink stick in a traditional Japanese ink stone and show how to paint with bamboo brushes on rice paper.

”I’m very excited to be sharing a space with four other dynamic and talented women artists,” said Makino. “We each have such different creative approaches, but we all love to share our work with visitors, and I think it will be fun and stimulating for people to see how each of us makes her art.”

Floyd will have the tools and supplies that she uses to create both her collages and block prints, and said she will be happy to explain each process. She will also debut something new: beeswaxed versions of her bird-themed block prints and monotypes.

”There’s much I love about working with beeswax — the rich tones and luscious texture, the intoxicating scent and, most especially, the wonderful way that the beeswax can lend a translucency to each collage element, allowing glimpses of previous layers,” Floyd said.

Gleave will demonstrate silk painting without resist lines.

”I found my true art passion when I discovered silk painting,” she said. “I continue to find inspiration studying color and light while on garden walks, during trips to the nursery, in botany classes and while reading.”

Shaw will share her deconstructed silkscreen process of placing textures under the screen, such as leaves, and transferring them onto paper.

”I am living back in Northern California permanently now after spending the past 10 years in Thailand,” Shaw said. “It’s great to be back and I’m getting more ideas for my books and boxes and designing new pieces all the time.”

Based in Shelter Cove, Flora makes ceramic pieces, as well as gyotako, Japanese fish prints made from fish her husband catches.

Of her pottery, she said, “Most of my work is oxidation-fired, with some glazes I make and some commercial. I have also been drawn towards pots with little glaze and flashings left by wood and smoke. It’s a nice way to achieve a surface of depth and richness and create a soft quality.”

Free refreshments will be served. In addition to original art, haiku greeting cards, prints, handmade books, fabric-covered boxes and T-shirts will be offered for sale.

The historic Samoa Women’s Club, which looks out onto the dunes, is rarely open to the public. The house is located between Arcata and Eureka at 115 Rideout Ave. in Samoa, a four-minute drive from the Samoa Bridge.

Directions are as follows: From Samoa Boulevard, turn left onto Cookhouse Road. Turn right onto Vance Avenue, and then take the first right onto Rideout Avenue.

For more information, call 834-6460.