Joy, art and healing

“first rain” is 11 x 14, made of paper, acrylic paint, and adhesive on paper. It appears in my 2022 calendar. © Annette Makino 2021.

It’s always a bit awkward having an event online. It’s not just that someone invariably forgets to mute; it’s also just plain weird to have a conversation with people you can only see in their little Zoom boxes.

flossing only
my front teeth
Zoom meeting

But this deep into the pandemic, Zooming has become more routine—and it does allow for some interesting opportunities we wouldn’t otherwise have.

A couple of weeks ago, I was part of an online panel with four other artists and writers on the theme of joy, art and healing. The rich and wide-ranging conversation centered on the experience of being an artist in this particular time.

Right now our world is dealing with climate change, a pandemic, and assaults on democracy, to name just a few threats. We explored whether it’s frivolous or self-indulgent to spend time making art when our world is so broken. 

Is it the highest and best use of our time to hole up in our studios? Should we instead devote ourselves to political organizing or marching in the streets?

A couple of the panelists shared ways they have harnessed their art for good causes. For instance, letterpress artist Jenn Graves donated sales of a print reading “love is a verb” to support young people as they age out of foster care.

More broadly, we discussed how making art is one way of mending the world. As artist Lisa Occhipinti put it, “Art heals us and enables us to give joy.” 

Author Lori Snyder said, “At its best, art is a bridge to all of our humanity.” She noted how creations that feel unique to us can have universal meaning for other people. 

I shared that my younger self thought that the best way to create social change was to work directly on issues, preferably on a global scale. But I’ve since come to believe that we artists can create more profound change at an individual level, when we’re in our truth and sharing our authentic selves. 

I keep this quote by Clarissa Pinkola Estés on my computer desktop: “Ours is not the task of fixing the entire world at once, but of stretching out to mend the part of the world that is within our reach.”

I called both of my senators yesterday morning and I regularly donate to political and environmental groups. But I believe the part of the world I can best mend is the part I can touch with my art. 

Someday I hope to meet my fellow panelists out of their Zoom boxes, in 3-D! In the mean time, I’m grateful to them for affirming that, despite my occasional bouts of guilt and doubt, art can be a path to joy and healing for both the artist and the viewer. 

art studio
a full day’s work
under my nails

P.S. This panel was part of “Joy, Art & Healing,” a series of seven conversation organized by Lori Snyder and the Writers Happiness Movement in celebration of Lori’s new book, The Circus at the End of the Sea. You can watch the whole discussion here.

An earlier version of “first rain” was first published in Windfall: 2013 Seabeck Haiku Getaway Anthology

“flossing only” was first published in Paper Mountains: 2020 Seabeck Haiku Getaway Anthology

“art studio” was first published in The Heron’s Nest, Volume XXII, Number 2, June 2021

Single cards, notecard sets, signed prints, calendars and books are all available on this site.

Makino Studios News

New cards: I’ve created eight new and updated cards for birthdays, sympathy, support and every day! I also offer notecards sets for the holidays or every day.

2022 mini-calendar: My new calendars of art and haiku are available on this site and at select stores in Humboldt County, California. They feature 12 colorful Asian-inspired collages with my original haiku, which you can see at the top of my collage gallery. At $12 each, these make great holiday gifts. 

Water and Stone: My book of art and haiku, Water and Stone, makes a lovely present! It includes 50 watercolor paintings with my original poems, plus 15 haibun (short prose pieces combined with haiku). Cost is $24.99. You can find it online here, on Amazon and in select local Humboldt stores. 

Made in Humboldt fair: You’ll be able to find my calendars, prints and boxed notecards at the “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA from Tuesday, Nov. 9 through Friday, Dec. 24. This will be the only fair where you can find my work this season. 

Seabeck Haiku Getaway: I will be presenting a slide show of my art and haiku (haiga) plus a hands-on haiga workshop at the Seabeck Haiku Getaway taking place in Seabeck, WA Oct. 27-31. (Haiku poets, there are still a few spots left!)

Traveling: In related news, I will be traveling and unable to fill orders Oct. 26-Nov. 4, so please get any Makino Studios orders in by Monday.

The seeds of inspiration

“the stories waiting inside” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is available as a greeting card reading, “in redwood years, you’re still a seedling—happy birthday!” © Annette Makino 2017

People often ask me where I get my inspiration. I tell them that for writing haiku, it could be literally anything I experience. For instance, getting out of jury duty and going from the courthouse to the beach:

sprung
from jury duty
the wind in my hair

But for paintings, 90% of my ideas come from one place: nature. Whether hiking through sand dunes or exploring Arcata’s marsh and bird sanctuary, I find that spending time out in nature is a wellspring of creative ideas.

My family and I are wrapping up a summer of wilderness adventures. Hiking in the King Range along the Lost Coast, we stumbled on a colony of elephant seals, the males bellowing and grappling like sumo wrestlers.

We rented double kayaks and paddled around two islands on Humboldt Bay, slipping past harbor seals, herons and pelicans, and gaining a whole new perspective on our local geography.

In Prairie Creek State Park, we trekked through lush old-growth redwood forest, passing a lovely little waterfall and sword ferns growing taller than my head. It was a nine-mile hike in which we climbed the equivalent of 73 floors. (Undaunted, our 16-year old son Gabriel asked to be dropped off at tennis class on the drive back so he could play for a couple of hours!)

the stories
waiting inside
redwood seedling

“river flow – Klamath” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is available as a greeting card reading, “what a joy to know you—happy birthday!” © Annette Makino 2017

And this past weekend, the smoke from wildfires cleared just in time for us to get in one last, delicious weekend of swimming and sunning on the Klamath River, where we have gone every summer for the past twenty-one years.

river flow
returning us
to ourselves

Many of these experiences have given rise to art. Working from photos taken on my iPhone, I paint the beautiful places we’ve visited, which allows me to experience them all over again.

As for poetic inspiration, although I’m safe from jury duty for another year, there are always events large and small to inspire haiku. Even a mate's choice of bedtime reading!

War and Peace
a hundred pages in
he surrenders

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Makino Studios News

North Country Fair: Celebrate the fall equinox at the 44th annual North Country Fair in Arcata the weekend of Sept. 16-17! This festive event features 170 booths, live entertainment on three stages, and two parades. I’ll have my newest cards and calendars at the Makino Studios booth on G Street near 9th.

2018 calendars: For the fifth year in a row, I’ve designed a mini-calendar of art and haiku. This year’s features landscapes, dogs, cats and flowers. It is now available online and is coming to stores soon. These make great holiday gifts!

New haiga: I’ve posted several new haiga (art that includes haiku) in the Makino Studios online gallery. Many of these appear in the new calendar.

Newest cards: Check out my latest card designs in the MakinoStudios Etsy shop. You can choose any six designs for $19.99 plus tax and shipping

Sociable: I am now on on Instagram as annettemakino. You can also get news, fresh art and haiku on my Makino Studios Facebook page and my Twitter feed.

Connecting: I so appreciate whenever someone takes the time to respond to these posts, and I read and answer every message.

“War and Peace” published in Frogpond, Issue 40.2, Spring-Summer 2017.

One brushstroke at a time

“water and stone” is 11×14, painted with sumi ink and Japanese watercolors on paper. Signed prints are available for $35. © 2015 Annette Makino

When I first tried sumi ink painting five years ago, I struggled. There was frustration. There was angst.

In this ancient medium, you grind an ink stick made of pine soot and glue in an ink stone with a few drops of water, then paint with bamboo brushes on rice paper. Sounds simple enough, right? But in practice, there are many ways to go wrong—and I excelled at all of them.

I ground the ink too thin and it dried sad and gray on the paper; I ground it too thick and my strokes ran out early, gasping for ink. I got too much water in the brush and my strokes grew wide and blobby. I moved my arm too slowly and the lines looked tentative; too quickly and the lines skipped and went awry.

But with the encouragement of family and friends, I kept plugging away.  Occasionally, almost by accident, a painting would work, and that was enough to keep me going.

water and stone
how we shape
each other

Multiplying the challenges, I soon added Japanese watercolors (gansai paints) to my pieces. And I gradually moved away from the simple lines and white backgrounds of traditional Japanese ink painting toward more colorful and detailed pieces—images involving tricky subjects like animal fur, water reflections or storm clouds. In the words of management guru Tom Peters, I learned to “fail forward fast.”

A sumi ink stick is ground in an ink stone with a bit of water. Traditionally, the resulting ink is applied onto rice paper with bamboo brushes. Photo © 2011 Yoshi Makino

I feel oddly shy sharing this, but I’ve recently had a breakthrough. After years of effort in which my failed paintings ended up as wrapping paper, I think I may be getting the hang of this. Somehow, the dozen paintings I’ve created this summer radiate a new level of aliveness. The sea foam looks lighter, the flower petals more delicate, the river wetter.

blue brushstrokes
the sea laps the edge
of the page

I haven’t yet put in the requisite ten thousand hours of practice to achieve mastery. But I’m getting closer. A few days ago I hung a solo show of local Humboldt landscapes, called “Water & Earth,” and I feel it’s my strongest body of work to date. The journey continues, but I am pausing here to appreciate the view.

rice paper moon
pine trees brush
the inky sky

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Makino Studios News

Water & Earth: My current show features landscape paintings inspired by Humboldt County’s beautiful wild places. It is on view at Libation on the plaza in Arcata, California through August 2015, along with my cards and prints.

North Country Fair: Celebrate the fall equinox at the 42nd annual North Country Fair in Arcata the weekend of Sept. 19-20. This festive event features 200 booths, live music on two stages, and two parades. My booth will be in the usual spot on G Street near 9th.

Fieldbrook Art & Wine Festival: The following weekend I’ll have a booth at this lovely event at the Fieldbrook Winery in Fieldbrook, California on Saturday, Sept. 26, 11 a.m. to 4 p.m.

Seabeck Haiku Getaway: This fun and inspiring gathering of haiku poets takes place on Washington State’s beautiful Kitsap Peninsula Oct. 1-4. I will be giving a presentation of my haiga (haiku art) there.

Before we were tamed: Thanks so much to all who came to see Tina Gleave and me at Ramone’s in June during North Coast Open Studios and who visited our show!

Connecting: You can get news, fresh art and haiku on my Makino Studios Facebook page and my Twitter feed.