open studios

Fine art, feasting and footpaths in France

Paul and Annette at the ‎⁨Pont Saint-Michel on the Seine⁩ in Paris⁩, May 2025

I’m writing this on the last leg of a trip back home after a rich and wonderful three weeks in France with my husband Paul. Once I get back, I’ll start prepping for North Coast Open Studios this coming weekend, joining twenty other local and international artists at Creekside Arts in Freshwater (details below). But before I get swept up into Open Studios, I want to share some highlights of this inspiring art-filled trip.

Annette on the hike to the hill town of Gordes in the Luberon region of France. Part of the trail follows a dry stone wall built in 1725 to keep plague-ridden people away from the pope.

We did a self-guided walking tour through the Luberon region of Southern France, hiking nine to twelve miles a day through farms, forests and centuries-old hill towns. Instead of having to carry heavy packs and sleep in a tent, our bags were sent ahead to our next inn—a system we loved!

While the wilderness sections were beautiful, some of my favorite stretches of the hikes took us past stone farmhouses, olive and cherry orchards, lavender fields and red poppies.

white hill town
the herder shakes down cherries
for his goats

Least favorite part: huffing the equivalent of 89 flights up a mountainside trail—made of loose rock—on a hot day—only to reach a modest, non-native cedar forest, full of people who had simply driven there. Pretty underwhelming for those of us who live near Redwood National Park!

After the walking tour, we spent five days in the Provençal town of Arles, which we’ve visited many times. There we met an eclectic array of artists during Arles’ first-ever weekend of “Ateliers Ouverts,” or open studios. And we followed in the footsteps of Van Gogh, who lived and painted there.

The Roman amphitheater in Arles at sunset.

Our home base was a lovely Airbnb apartment just steps from the ancient Roman arena, where we happened on a reenactment of gladiatorial combat, and the Roman theater, where groups of children performed hiphop dances. We enjoyed memorable meals outdoors under grape vines or in sidewalk cafes. We stocked up on rotisserie chicken, goat cheese, olives, crusty bread and strawberries at Arles’ vast Saturday market.

sandal tan
the summer
at peak tomato

But the best part of our time there was just rambling through the narrow cobblestoned streets with their faded pastel shutters and occasional wafts of jasmine.

A panel of Les Nymphéas, a cycle of eight paintings by Claude Monet at the Musée de l’Orangerie.

We also spent some interesting days in Paris, exploring new and familiar neighborhoods and having dinner with old friends. Seeing Monet’s water lily paintings at the Musée de l’Orangerie was a highlight—they are truly massive. I was impressed to learn that once Monet had a vision of these paintings, he built a special studio to create them. Now that’s commitment to an artistic vision!

At the Musée d’Orsay, we hung out with iconic works by Cezanne, Monet, Degas, Renoir, and Van Gogh, all housed in a stunning former Beaux-Arts train station.

So weird. Despite all that walking, I came home with a couple extra pounds!

Though we were unsure how Americans would be treated at this time, most of the French people we met were friendly and understood that not all Americans—especially those who travel to Europe and speak decent French—are aligned with the current administration. In some ways it seems frivolous to take a European vacation these days, but as the street art in Arles said, “la joie est un acte de résistance.”

And now I’m looking forward to settling back into our spacious, comfortable home in the redwoods. My aim is to recover from jet lag in time to be coherent for Open Studios this weekend. Hope to see some friendly faces there!

morning rain
blurring the redwoods
his three-note yawn

Makino Studios News

Midway through the day’s hike, we enjoyed a leisurely lunch in the hill town of Lacoste.

North Coast Open Studios: On this 25th anniversary of North Coast Open Studios, I’m joining twenty local and international artists at Creekside Arts in Freshwater, CA. It’s a free, public event happening this Saturday and Sunday, June 14-15, from 10 to 5 at 465 Howard Heights Road. (About two miles up Freshwater Road, turn right on Howard Heights Road.) Look for the Makino Studios popup tent, where I will share my art and process.

On Saturday from 2-6 p.m. the venue will also host their annual Creekside in Bloom event, with snacks, wine and live music by James Zeller and Katie Belknap of Ponies of Harmony and Blasé Bonpane and Stellar Jays (Soul to Swing).

Books and cards restocked: I was down to two copies of my award-winning book of art and haiku, Water and Stone, but just received a shipment of 100 more—these make nice gifts! And I’ve also just gotten a big printing of my cards, which you can browse here.

Summer break: I’ll be on a creative retreat at the Klamath River July 12-19 and won’t be able to ship orders until my return. Sorry for the delay!

Free shipping: You can get free shipping on Makino Studios orders of $35 or more with code FREESHIP35, entered at checkout.

Thanks: I always appreciate your feedback, whether by email, in person or as an online comment.

Publication credits: “white hill town” - Presence; “sandal tan” - Acorn; “morning rain” - Hauling the Tide: Haiku Society of America Members’ Anthology 2024.

Just putting it out there

“did someone say cake?” is 8x10, Japanese watercolor and sumi ink on paper. The original does not have words. The card is available here. A haiku version may follow if I get inspired! © Annette Makino 2018

“did someone say cake?” is 8x10, Japanese watercolor and sumi ink on paper. The original does not have words. The card is available here. A haiku version may follow if I get inspired! © Annette Makino 2018

As I'm painting and preparing for North Coast Open Studios this weekend, I’m feeling excited about showing my art to the public. A painting doesn’t fully come alive for me until it is shared with others. And I love hearing stories from my customers and getting ideas from them.

But there is also a part of me that is feeling shy about the exposure—and not just because I’m an introvert! It feels risky to put my work out there for all to see, knowing I am far from mastery. I look at some of my earlier paintings and feel a combination of embarrassment and tenderness toward my less skilled former self. And I expect that soon enough, I’ll feel the same about my current work. 

I'm reminded of the New Yorker cartoon by Gahan Wilson that shows two gentlemen gazing at a child's awkward scrawl. One says, "Of course, it's a very early Rembrandt."

The other day I was listening to an all-Beatles channel on satellite radio that played some fuzzy recordings from their beginning years. I realized there was a good reason I had never heard those cover songs by the Beatles before—they simply weren’t very good! And yet, in those early years, the Fab Four were able to come up with some real gems, like “She Loves You.” Even if the song seems simple, the harmonies and catchy “yeah, yeah, yeah” chorus still convey a freshness and vitality more than half a century later.

“bright eyes” is 11x14, sumi ink on paper. It is available as a signed print here. © Annette Makino 2011

“bright eyes” is 11x14, sumi ink on paper. It is available as a signed print here. © Annette Makino 2011

Although I could never aspire to the greatness of the Beatles, I can also see a few flowers among the weeds in my early work. The “bright eyes” piece to the right, of my dog Misha, was one of my first sumi ink paintings back in 2011. Since I was just starting my art business, the enthusiastic response from the public was very encouraging.

Seven years later, I can paint dogs much more realistically, as in the watercolor above of my friend’s dog Sukie. And I know my art will continue to evolve and improve over time. 

I have to remind myself that an artist’s development is never “finished,” so there’s no point in waiting until my work is perfect to put it out in the world. All I can do is play and have fun with the process. And share it with my wonderfully supportive customers. So bring on Open Studios! Yeah, yeah, yeah!

bright eyes, wagging tail
the universe, in dog form
invites us to play

Makino Studios News

Open Studios: I will join artists Tina Gleave, Jennifer Rand, Amy Fowler and Araya Shon at the Samoa Women’s Club in Samoa, CA for North Coast Open Studios this weekend. We’ll be serving wine and appetizers tomorrow (Friday, June 1) at Art Night from 6 to 9 p.m. The main event is Saturday and Sunday 10 a.m. to 5 p.m. There will be art raffles, demos of our techniques, closeout sales and refreshments. More details and directions in the Facebook event.

Cards for Dads and Grads: Check out the Cards section to find cards for graduation, Father’s Day (June 17), weddings and birthdays.

On Vacation: I will be away on a painting vacation on the Klamath River all of next week and visiting family the week after, so I will not be able to ship out any orders until Friday, June 15.

ukiaHaiku Festival: I’m happy to share that the following haiku won first place in the Dori Anderson Award for haiku about Ukiah at the annual ukiaHaiku Festival last month:

sun-baked orchard
collecting cherries
in my hat

Open Studios hot spot

NCOS 2018 flyer.jpg

Dear friends,

You are warmly invited to our artist hot spot at the Samoa Women’s Club, where five Humboldt artists are showcasing work during the first weekend of North Coast Open Studios. Participants include silk painter Tina Gleave, ceramicist Jennifer Rand, milliner Amy Fowler, watercolor painter Araya Shon, and myself, a Japanese watercolor painter. 

The main event takes place Saturday and Sunday, June 2-3, from 10 to 5. We are also hosting a special Art Night preview with refreshments on Friday, June 1 from 6 to 9 p.m.

In addition to artist demos, there will be original work for sale plus art prints, silk clothing, custom-made hats, ceramic ware, greeting cards, and more. We are offering special deals on closeouts.

Refreshments will be served at this free, family-friendly event. There will also be raffles with art prizes.

I believe that my art only comes alive once it is shared. Open Studios is a wonderful opportunity to connect with people one-on-one to discuss the inspiration and technique behind my art and hear stories of how it impacts others.

For more information about the weekend, see the Facebook event or call (707) 362-6644. We’d love to see you there!

P.S. If you can’t make it this weekend, I am also happy to host visitors at my studio by appointment.

Directions: The historic Samoa Women's Club is located between Arcata and Eureka at 115 Rideout Avenue in Samoa, a four-minute drive from the Samoa Bridge. From Samoa Boulevard, turn left onto Cookhouse Road. Turn right onto Vance Avenue, and then take the first right onto Rideout Avenue.