Fine art, feasting and footpaths in France

Paul and Annette at the ‎⁨Pont Saint-Michel on the Seine⁩ in Paris⁩, May 2025

I’m writing this on the last leg of a trip back home after a rich and wonderful three weeks in France with my husband Paul. Once I get back, I’ll start prepping for North Coast Open Studios this coming weekend, joining twenty other local and international artists at Creekside Arts in Freshwater (details below). But before I get swept up into Open Studios, I want to share some highlights of this inspiring art-filled trip.

Annette on the hike to the hill town of Gordes in the Luberon region of France. Part of the trail follows a dry stone wall built in 1725 to keep plague-ridden people away from the pope.

We did a self-guided walking tour through the Luberon region of Southern France, hiking nine to twelve miles a day through farms, forests and centuries-old hill towns. Instead of having to carry heavy packs and sleep in a tent, our bags were sent ahead to our next inn—a system we loved!

While the wilderness sections were beautiful, some of my favorite stretches of the hikes took us past stone farmhouses, olive and cherry orchards, lavender fields and red poppies.

white hill town
the herder shakes down cherries
for his goats

Least favorite part: huffing the equivalent of 89 flights up a mountainside trail—made of loose rock—on a hot day—only to reach a modest, non-native cedar forest, full of people who had simply driven there. Pretty underwhelming for those of us who live near Redwood National Park!

After the walking tour, we spent five days in the Provençal town of Arles, which we’ve visited many times. There we met an eclectic array of artists during Arles’ first-ever weekend of “Ateliers Ouverts,” or open studios. And we followed in the footsteps of Van Gogh, who lived and painted there.

The Roman amphitheater in Arles at sunset.

Our home base was a lovely Airbnb apartment just steps from the ancient Roman arena, where we happened on a reenactment of gladiatorial combat, and the Roman theater, where groups of children performed hiphop dances. We enjoyed memorable meals outdoors under grape vines or in sidewalk cafes. We stocked up on rotisserie chicken, goat cheese, olives, crusty bread and strawberries at Arles’ vast Saturday market.

sandal tan
the summer
at peak tomato

But the best part of our time there was just rambling through the narrow cobblestoned streets with their faded pastel shutters and occasional wafts of jasmine.

A panel of Les Nymphéas, a cycle of eight paintings by Claude Monet at the Musée de l’Orangerie.

We also spent some interesting days in Paris, exploring new and familiar neighborhoods and having dinner with old friends. Seeing Monet’s water lily paintings at the Musée de l’Orangerie was a highlight—they are truly massive. I was impressed to learn that once Monet had a vision of these paintings, he built a special studio to create them. Now that’s commitment to an artistic vision!

At the Musée d’Orsay, we hung out with iconic works by Cezanne, Monet, Degas, Renoir, and Van Gogh, all housed in a stunning former Beaux-Arts train station.

So weird. Despite all that walking, I came home with a couple extra pounds!

Though we were unsure how Americans would be treated at this time, most of the French people we met were friendly and understood that not all Americans—especially those who travel to Europe and speak decent French—are aligned with the current administration. In some ways it seems frivolous to take a European vacation these days, but as the street art in Arles said, “la joie est un acte de résistance.”

And now I’m looking forward to settling back into our spacious, comfortable home in the redwoods. My aim is to recover from jet lag in time to be coherent for Open Studios this weekend. Hope to see some friendly faces there!

morning rain
blurring the redwoods
his three-note yawn

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Makino Studios News

Midway through the day’s hike, we enjoyed a leisurely lunch in the hill town of Lacoste.

North Coast Open Studios: On this 25th anniversary of North Coast Open Studios, I’m joining twenty local and international artists at Creekside Arts in Freshwater, CA. It’s a free, public event happening this Saturday and Sunday, June 14-15, from 10 to 5 at 465 Howard Heights Road. (About two miles up Freshwater Road, turn right on Howard Heights Road.) Look for the Makino Studios popup tent, where I will share my art and process.

On Saturday from 2-6 p.m. the venue will also host their annual Creekside in Bloom event, with snacks, wine and live music by James Zeller and Katie Belknap of Ponies of Harmony and Blasé Bonpane and Stellar Jays (Soul to Swing).

Books and cards restocked: I was down to two copies of my award-winning book of art and haiku, Water and Stone, but just received a shipment of 100 more—these make nice gifts! And I’ve also just gotten a big printing of my cards, which you can browse here.

Summer break: I’ll be on a creative retreat at the Klamath River July 12-19 and won’t be able to ship orders until my return. Sorry for the delay!

Free shipping: You can get free shipping on Makino Studios orders of $35 or more with code FREESHIP35, entered at checkout.

Thanks: I always appreciate your feedback, whether by email, in person or as an online comment.

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Publication credits: “white hill town” - Presence; “sandal tan” - Acorn; “morning rain” - Hauling the Tide: Haiku Society of America Members’ Anthology 2024.

A handful of haiku for Haiku Poetry Day

“dogwood blossoms” is 8x10, made of painted washi and other papers glued onto cradled wood. © Annette Makino 2021

This Sunday is both Easter and International Haiku Poetry Day! To celebrate, I’m sharing a sampling of my published haiku and senryu (haiku’s wry, funny cousin).

Easter brunch
even the teen
is risen

Frogpond, 44.1, Winter 2021; String Theory: The Red Moon Anthology of English-Language Haiku 2021, Ed. Jim Kacian and the Red Moon Editorial Staff, 2022

Covid variant
another wave sucks the sand
from under our feet

Mariposa, #46, Spring/Summer 2022

seventy-one now
he chooses to leave
the candles burning

Modern Haiku, 53.1, Winter-Spring 2022

ponderosas
the soft thud of snow
landing on snow

The Heron’s Nest, 13.2, June 2021

a thousand-piece puzzle deeper into winter

The Heron’s Nest, 14.1, March 2022

again I fail
the robot test
winter solitude

The Heron’s Nest, 13.1, March 2021

writer’s block
the saw-whet owl’s
one-note tune

Modern Haiku, 51.1, Winter-Spring 2020

ninety-one—
she decides she’s done
reusing teabags

Kingfisher, Issue 1, June 2020

lifting fog
color seeps back
into the dunes

Modern Haiku, 51.2, Summer 2020

dogwood blossoms
the catch and release
of evening light

The Heron’s Nest, 12.4, December 2020

wind blowing upriver
one of the ripples
becomes an otter

Kingfisher, Issue 2, December 2020

all-day sunset
leaves coated in ash
from a distant forest 

Kingfisher, 4, November 2021

still waiting
to outgrow my freckles
silver oaks

Frogpond, 44.3, Autumn 2021

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Makino Studios News

Etsy strike: Along with more than 20,000 other Etsy vendors, I’ve put my Etsy shop on vacation mode to support the strike this week. Etsy recently announced it is raising seller fees by 30% while making record profits. I've had an Etsy shop since 2011, but over the years, the corporation has gotten greedier and less respectful of makers. As a result, I have greatly reduced my offerings there and sell most of my cards etc. on my main site here. You can support independent creators by boycotting Etsy thru Monday, April 18 and buying directly from Etsy sellers instead. Thank you! 

The episode featuring Lori B. Goodman and me, called “Women of Washi,” will debut Thursday, May 5 at 7:30 p.m. You can watch it online for free for the following three weeks via www.studiospace.tv.

Studio Space: I’m honored to be included among the 20 terrific Humboldt County artists featured on Season 2 of Studio Space, the popular series produced by our local PBS station, KEET-TV, which started on April 7. The episode featuring Lori B. Goodman and me, called “Women of Washi,” will debut Thursday, May 5 at 7:30 p.m. You can watch it online for free for the following three weeks, and then it goes behind a paywall for non-KEET members. See www.studiospace.tv for all episodes.

Pizza and Pottery: Join Peggy Loudon, Patrica Sennott, half a dozen other artists and me at a lovely May Day art fair on Sunday, May 1 from 11 to 5 at 135 Sunkist Lane, McKinleyville (park on Cummins Lane). Hosts Lauren and Mariah Sarabia are gourmet chefs who will offer wood-fired pizza and other goodies. Rain cancels.

ukiaHaiku Festival: I’ll give a brief presentation and reading at the 20th anniversary of this haiku festival in my hometown of Ukiah, CA. I’ll also have books, prints and cards for sale. This free event takes place Sunday, May 15 at 2 p.m. at the Grace Hudson Museum.

Writers Read: On Thursday, June 23 at 7 p.m., I’ll be back at the Grace Hudson Museum in Ukiah as the featured reader in this series, with a slide show of my haiga (haiku art) as well as a table of my art and haiku wares.

New notecard sets: By popular demand, I’m offering boxed notecard sets again, including a new animal series. I hope to have these back from the printer by the end of the month.

Prints to order: I’ve recently posted several of my designs on Fine Art America, where you can order them the size you want and even have them framed. If you’d like a print of a piece in my gallery that you don’t see on FAA, let me know so I can post it for you.

Mother’s Day is Sunday, May 8! Order these and other cards here.

Mother’s Day and graduation: Mother’s Day is Sunday, May 8 and many graduation ceremonies follow soon afterwards, so make sure you have your cards and gifts! I have a variety of cards for both occasions. And would your mom or grad appreciate a copy of Water and Stone: Ten Years of Art and Haiku, or a signed art print by a local artist?

North Coast Open Studios: After a two-year pandemic hiatus, this event is taking place again June 4-5 and June 11-12 at artist studios around Humboldt County. I’m not sure if I will be participating as an artist as I don’t have a great place to host the public, but let me know if you have any leads on potential spaces. This is a great opportunity to visit local artists!

Just putting it out there

“did someone say cake?” is 8x10, Japanese watercolor and sumi ink on paper. The original does not have words. The card is available here. A haiku version may follow if I get inspired! © Annette Makino 2018

As I'm painting and preparing for North Coast Open Studios this weekend, I’m feeling excited about showing my art to the public. A painting doesn’t fully come alive for me until it is shared with others. And I love hearing stories from my customers and getting ideas from them.

But there is also a part of me that is feeling shy about the exposure—and not just because I’m an introvert! It feels risky to put my work out there for all to see, knowing I am far from mastery. I look at some of my earlier paintings and feel a combination of embarrassment and tenderness toward my less skilled former self. And I expect that soon enough, I’ll feel the same about my current work. 

I'm reminded of the New Yorker cartoon by Gahan Wilson that shows two gentlemen gazing at a child's awkward scrawl. One says, "Of course, it's a very early Rembrandt."

The other day I was listening to an all-Beatles channel on satellite radio that played some fuzzy recordings from their beginning years. I realized there was a good reason I had never heard those cover songs by the Beatles before—they simply weren’t very good! And yet, in those early years, the Fab Four were able to come up with some real gems, like “She Loves You.” Even if the song seems simple, the harmonies and catchy “yeah, yeah, yeah” chorus still convey a freshness and vitality more than half a century later.

“bright eyes” is 11x14, sumi ink on paper. It is available as a signed print here. © Annette Makino 2011

Although I could never aspire to the greatness of the Beatles, I can also see a few flowers among the weeds in my early work. The “bright eyes” piece to the right, of my dog Misha, was one of my first sumi ink paintings back in 2011. Since I was just starting my art business, the enthusiastic response from the public was very encouraging.

Seven years later, I can paint dogs much more realistically, as in the watercolor above of my friend’s dog Sukie. And I know my art will continue to evolve and improve over time. 

I have to remind myself that an artist’s development is never “finished,” so there’s no point in waiting until my work is perfect to put it out in the world. All I can do is play and have fun with the process. And share it with my wonderfully supportive customers. So bring on Open Studios! Yeah, yeah, yeah!

bright eyes, wagging tail
the universe, in dog form
invites us to play

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Makino Studios News

Open Studios: I will join artists Tina Gleave, Jennifer Rand, Amy Fowler and Araya Shon at the Samoa Women’s Club in Samoa, CA for North Coast Open Studios this weekend. We’ll be serving wine and appetizers tomorrow (Friday, June 1) at Art Night from 6 to 9 p.m. The main event is Saturday and Sunday 10 a.m. to 5 p.m. There will be art raffles, demos of our techniques, closeout sales and refreshments. More details and directions in the Facebook event.

Cards for Dads and Grads: Check out the Cards section to find cards for graduation, Father’s Day (June 17), weddings and birthdays.

On Vacation: I will be away on a painting vacation on the Klamath River all of next week and visiting family the week after, so I will not be able to ship out any orders until Friday, June 15.

ukiaHaiku Festival: I’m happy to share that the following haiku won first place in the Dori Anderson Award for haiku about Ukiah at the annual ukiaHaiku Festival last month:

sun-baked orchard
collecting cherries
in my hat

Open Studios hot spot

Dear friends,

You are warmly invited to our artist hot spot at the Samoa Women’s Club, where five Humboldt artists are showcasing work during the first weekend of North Coast Open Studios. Participants include silk painter Tina Gleave, ceramicist Jennifer Rand, milliner Amy Fowler, watercolor painter Araya Shon, and myself, a Japanese watercolor painter. 

The main event takes place Saturday and Sunday, June 2-3, from 10 to 5. We are also hosting a special Art Night preview with refreshments on Friday, June 1 from 6 to 9 p.m.

In addition to artist demos, there will be original work for sale plus art prints, silk clothing, custom-made hats, ceramic ware, greeting cards, and more. We are offering special deals on closeouts.

Refreshments will be served at this free, family-friendly event. There will also be raffles with art prizes.

I believe that my art only comes alive once it is shared. Open Studios is a wonderful opportunity to connect with people one-on-one to discuss the inspiration and technique behind my art and hear stories of how it impacts others.

For more information about the weekend, see the Facebook event or call (707) 362-6644. We’d love to see you there!

P.S. If you can’t make it this weekend, I am also happy to host visitors at my studio by appointment.

Directions: The historic Samoa Women's Club is located between Arcata and Eureka at 115 Rideout Avenue in Samoa, a four-minute drive from the Samoa Bridge. From Samoa Boulevard, turn left onto Cookhouse Road. Turn right onto Vance Avenue, and then take the first right onto Rideout Avenue.

Welcome to the eternal now

"foamy surf" is 11x14, painted with sumi ink and Japanese watercolors on paper. It depicts the Lost Coast in Humboldt County, California.

Recently I spent a long, boring week in bed with the flu. When not sleeping, reading, or writing whiny haiku about being sick, I did some musing on the nature of time. 

There are so many ways that we fight with time. In the short term, like most modern-day humans, I often feel that there is not enough time in the day to do everything I want to do, like paint. So it was frustrating to be bedridden for days, with too much time on my hands but not enough energy to do anything with it!

In the long term, as I get older, I feel a keener awareness of my limited time here on earth, and my finite window to contribute to the world. This, too, can lead to frustration that I am not accomplishing more.

Time can also seem like an enemy because we only experience it flowing in one direction. As a result, it’s natural to compare the present with the concrete and specific past that we clearly remember rather than the misty, unknown future. 

And so we focus more on aging and loss: the slim waistline and the full, dark hair we once took for granted, the steel-trap memory grown rusty, the friends who have passed on. Why not focus instead on the fact that we are probably healthier, sharper, and more energetic today than we will be down the line?

"celebrate" is 5x7, an image of cherry blossoms painted with sumi ink and watercolors on paper.

celebrate!
you’re younger now
than you’ll ever be

What if, as in The Curious Case of Benjamin Button, we aged in reverse? Would we be more enthusiastic about growing “older” if it meant becoming more youthful? Yes, eventually there are diapers, mushy food and babbling at both ends of life. But for some reason this is adorable in toddlers, embarrassing in the old.

Anyhow, Benjamin Button is a work of fiction. As Kierkegaard said, “Life can only be understood backwards; but it must be lived forwards.” 

Maybe we would be happier if we fully grasped the discovery from quantum physics that time is malleable and relative. What if time does not exist in any fundamental sense except as a useful conceptual tool for navigating our world? To quote sci fi writer Ray Cummings, “time is what keeps everything from happening at once.”

Although none of us are evolved enough to transcend time permanently (is that what death is?), we have all experienced the state of “flow” when we lose awareness of the passage of time. It might be while surfing, reading a great book, or playing music with friends. When I am painting—a right-brain activity—I’m focused on color and form, and the hours flow by uncounted.

Paradoxically, perhaps we would feel we had “enough time” if we spent more of our days in this mode beyond time, when we are fully present and engaged in each moment. It shouldn't be that hard to do: as young children, we passed most of the day in this state, fully immersed in exploration and play. 

On my way to the beach, I often hike by some cement water tanks that have been covered in graffiti for years. Today I was tickled to see that a county worker had painted it all out except this one line: “Welcome to the eternal now.”

foamy surf
rushing out
my inner child

Zen graffiti on a water tank at Ma-le'l Dunes in Manila, California.

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Makino Studios

2018 Golden Haiku Competition: I’m delighted to share that the haiku below was selected to be featured on a sign in downtown Washington, DC this month! If any of my DC readers sees it, in the Golden Triangle neighborhood between the White House and Dupont Circle, please send me a photo!

North Coast Open Studios: Mark your calendar for the 20th anniversary of this fun, free event, when more than a hundred Humboldt County artists open their studios to the public. I will once again join silk painter Tina Gleave and other artists at the Samoa Women’s Club in Samoa, CA for Weekend 1, June 2-3. 

More thoughts on aging: A 2013 blog post, “Younger than we’ll ever be,” uses prose, art, and haiku to explore the theme of coming to terms with getting older.

The other end of the paintbrush

“summer solstice” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. An earlier version of the haiku first appeared in Modern Haiku. A birthday card version is available. © Annette Makino 2016

Humboldt County is famous for two things: its magical old-growth redwood forests and perhaps equally magical marijuana. But there is a lesser-known feature that makes this area unique: it has more working artists per capita than any other part of California.

Each year in June, some 150 Humboldt artists open their studio doors to the public as part of North Coast Open Studios. Earlier this month, it was my pleasure to be part of the "Seven in Samoa" group that hosted visitors the first weekend. The following weekend, I got to tour nine studios.

In visiting other artists, I was inspired and moved by much of their art. But it was just as interesting to talk with these working artists and learn about what goes on at the other end of the paintbrush. I discovered we are grappling with some of the same issues.

A common theme of our conversations was the tension between making art that purely expresses our creativity versus making art that we know will sell. For instance, one artist is currently drawn to images of melancholy women, but knows there is a much bigger market for her playful pieces of cats.

Another sells a lot of art postcards with inspiring quotes, but her passion project is a scrapbook of sketches and thoughts about silent meditation retreats, though she knows the market for such a book is very limited.

Annette Makino demonstrates her tools and techniques at the Samoa Women’s Club in Samoa, CA as part of North Coast Open Studios in June 2017.

For my part, I sometimes find myself painting simply because it’s time for a new card catalog. Instead of “What do I really want to express about my core being?,” the “helpful” and persistent voice inside my head asks a much less inspiring question, “What would make for a good birthday card?”

Another common theme of my Open Studios conversations was the competing demands on our time: we need to spend time managing and marketing our business, but that cuts into the time to actually create. And it's hard for me to compartmentalize: when I know I have orders to fill or an event to publicize, I can't get into the open, spacious frame of mind I need to paint.

Finally, an underlying issue that emerged from talking with other artists was, what does success mean to me as a working artist? Is it measured by sales? Reputation? Appreciation from buyers? Personal satisfaction from the joy of creating? While it’s surely some combination of all of these, it’s challenging to find the right balance, especially in a culture that confuses money with worth.

Overall, I came away from Open Studios without clearcut answers, yet comforted to know that I am not alone: even the most successful artists struggle with these dilemmas. It was inspiring to meet so many passionate, committed people who have chosen to walk this sometimes difficult path. We may never get rich from our art (though I'm not opposed to that!), but we are certainly rich in spirit.

summer solstice . . .
the skipping stone
all the way across

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Makino Studios News

Seven in Samoa: The Eureka Times-Standard ran this story about the group of artists that showcased our work together as part of North Coast Open Studios.

Summer vacation: Happy solstice! I’ll be on vacation from this Saturday, June 24 until Sunday, July 2. While I am swimming and painting at the Klamath River (depicted in the above image), my Makino Studios Etsy shop will be closed for the week and I will not be filling store orders.

Westhaven Wild Blackberry Festival: Rabia O’Loren will be selling a selection of my cards and prints at this festival on Sunday, July 30, 10-4 at the Westhaven Volunteer Fire Department.

North Country Fair: Mark your calendar for this two-day festival celebrating the fall equinox, taking place September 16-17 on the Arcata Plaza!

Celebrating Haiku Poetry Day

“the grass on this side” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. A greeting card version is available reading “love you till the cows come home.” © Annette Makino 2014

Popping up in the middle of National Poetry Month, today is International Haiku Poetry Day. To mark the occasion, here is a smorgasbord of haiku I’ve published this past year. Enjoy!

gentle rain
I remind my mother
to buckle up

tendrils of fog
I follow a thread
back into the dream

understory
no punctuation
in her text message

beach vacation
every night between the sheets
a little more sand

sunlit pond
the cattails
chirping

thin ice
the windshield crack
lengthens

Indian summer
the sky the color
of forever

And for a selection of some of the finest haiku of 2016, see the short list for The Haiku Foundation’s prestigious Touchstone Award.

warmly, Annette Makino

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Publication credits:

“gentle rain” - The Heron’s Nest, Issue 19:1, March 2017
“tendrils of fog” - Frogpond, Issue 40:1, Winter 2017
“understory” - Exhaling, Seabeck Haiku Getaway 2015 Anthology
“beach vacation” - Modern Haiku, Issue 47:2, Summer 2016
“sunlit pond” - A Hundred Gourds, Issue 5:3, June 2016
“thin ice” - A Hundred Gourds, Issue 5:3, June 2016
“Indian summer” - Frogpond, Issue 39:3, Autumn 2016

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Makino Studios News

Free shipping for Poetry Month: Since April is National Poetry Month, I am offering free shipping for US orders of $15 or more through the Makino Studios Etsy store. Use code SPRING2017 through April 30.

ukiaHaiku Festival: I will be at the ukiaHaiku Festival in Ukiah, California on Sunday, April 30 at 2 p.m. at the Civic Center in my old hometown of Ukiah, California. Stay tuned for some happy news!

BeeFest 2017: This annual celebration of bees takes place from 10 a.m. to 5 p.m. on Saturday, May 13 at the Adorni Center in Eureka, California. A sampling of my cards and prints will be available.

Open Studios: Mark your calendars for North Coast Open Studios! Once again, I will join silk painter Tina Gleave, plus five other women artists, at the Samoa Women’s Club in Samoa for the first weekend. We’ll kick off from 6-9 p.m. on Friday, June 2 and continue from 10 a.m. to 5 p.m. on Saturday and Sunday, June 3-4. We’ll be showing new art, demonstrating our tools and techniques, and offering free refreshments.