festival

Big news on Haiku Poetry Day

“swirls of confetti” is 8 x 10, made of Japanese washi papers and other papers, an airmail envelope, vintage Japanese postage stamps, pen, sumi ink, acrylic paint, and adhesive on illustration board. © Annette Makino 2021

“swirls of confetti” is 8 x 10, made of Japanese washi papers and other papers, an airmail envelope, vintage Japanese postage stamps, pen, sumi ink, acrylic paint, and adhesive on illustration board. © Annette Makino 2021

Happy International Haiku Poetry Day! I’ve got some exciting haiku news to share.

First, I am planning to publish my first full-length book! A selection of my best art and haiku of the past ten years, this book will feature fifty of my watercolor haiga (paintings combined with haiku). Sprinkled throughout the pages will be fifteen haibun—a Japanese literary form in which autobiographical prose is combined with haiku. 

With the working title of Water and Stone, this will be a full-color 8x10 softcover book. It will be available on Amazon and the Makino Studios site early this summer.

Secondly, if you heard whooping from my house, it’s because the Haiku Foundation announced today that a haiku I wrote has won a Touchstone Award for best individual poem of 2020! 

There were 1302 poems from 31 countries, mostly nominated by haiku editors, and I am beyond thrilled that my haiku has been honored in this prestigious contest. The Haiku Foundation site explains, “The Touchstone Awards for Individual Poems recognize excellence and innovation in English-language haiku and senryu published in juried public venues during each calendar year.” 

Below is the winning poem, which I wrote at the Klamath River last summer. This poem also won first place in the Porad Haiku Awards last fall.

long before language the S of the river

For a fascinating look at the range of English-language today, see the contest shortlist. My deepest thanks to the panel of judges.

Meanwhile, I’m getting my second Pfizer shot on Sunday, which will mean all five of us in my household are fully vaccinated. Whew! Plus, the cherry trees around my house have put on a fabulous show and are starting send their blossoms afloat. There is much to celebrate!

swirls of confetti
from the cherry trees
festival day

Makino Studios News

Mother’s Day is Sunday, May 9! I’ve got cards for all the moms in your life. And graduation cards too!

Collage landscape notecards: For Makino Studios’ 10th anniversary, I’ve produced a brand-new notecard set featuring four of my collage landscapes. The cost is $15 for a set of eight cards and kraft envelopes. Mother’s Day gift idea!

Matted prints: You can now find eight small signed and double-matted prints here, mostly of landscapes.

2021 fairs and events: North Coast Open Studios, which is usually held in late May/early June, will not take place this spring but there is a chance it will happen in the fall. The North Country Fair on the Arcata Plaza is tentatively scheduled to take place Sept. 18-19 this year, if Covid-19 safety permits. 

Thanks: I really appreciate all the messages of congratulations on my last post, “Makino Studios turns 10 today!” You can read past posts online on my blog.

Turn, turn, turn

"mouth of the river" is 11x14, painted with Japanese watercolors and sumi ink on paper. Based on a view of Moonstone Beach in Trinidad, CA, it is one of the new pieces in my 2019 calendar. You can see the piece in process below. A greeting card vers…

"mouth of the river" is 11x14, painted with Japanese watercolors and sumi ink on paper. Based on a view of Moonstone Beach in Trinidad, CA, it is one of the new pieces in my 2019 calendar. You can see the piece in process below. A greeting card version reads, "infinite thanks." © Annette Makino 2018

Over the past couple of weeks, our family has completely shifted over to school mode. We now have a senior in high school, a senior in college, and a senior in the Over Sixty program at Humboldt State. Instead of lazy mornings, we dash out the door with shoes untied and breakfast in hand.

Meanwhile, nighttime temperatures have dropped into the 40s and the first maple trees are already changing color. It’s hard to say goodbye to summer, but there’s no ignoring the evidence: autumn is coming.

tilted axis
        we slide
                into fall

In the seven years that I’ve been running my art business, a seasonal rhythm has emerged there too. There is the joyful madness of the holiday season. This is followed by the January grind of inventory and accounting, a perfect combination of tedium and frustration. 

year-end accounting
the cat coughs up
another hairball

Spring means creating a new collection of designs and experimenting with some new products. Summer is a juicy, expansive time when I relax at the river with my family and go on week-long painting retreats. 

mouth of the river
an ever-changing story
told to the sea

And September is harvest season, when my best of recent work comes together in the form of a mini-calendar of art and haiku. It’s so satisfying to hold in my hand the culmination of the work I’ve done over the past twelve months, and to know it will bring pleasure to hundreds of others through the coming year.

mouth of the river-in process-1000 px.jpg

“To every thing there is a season, and a time to every purpose under the heaven…” (Ecclesiastes 3:1-8)

With experience, now I know that seemingly fallow weeks will alternate with intensely productive periods. I know that once I survive the dreaded year-end accounting, I will get to create again. And that art-wise, the bittersweet end of the summer means the reward of “bringing in the harvest." So let me be the first to wish you a happy fall equinox!

revolving door
that autumn leaf
comes round again

("revolving door" is part of "Passages," a haiku rengay written with Bill Waters and published in Hedgerow #121, Autumn 2017.)

Makino Studios News

North Country Fair: The North Country Fair takes place in Arcata, California the weekend of Sept. 15-16, from 10 a.m. to 6 p.m. both days. This festive event features 170 art and craft booths, local food, three stages of live entertainment and two parades. I’ll have my newest work at the Makino Studios booth on G Street, plus a free raffle for store credit.

Fieldbrook Art & Wine Festival: Makino Studios will have a booth at this lovely event at the Fieldbrook Winery in Fieldbrook, California on Saturday, Sept. 29, 11 a.m. to 4 p.m.

New paintings and prints: Check out my latest paintings in the Gallery. And see the new signed art prints in the Prints section.

Sneak preview of 2019 calendar: You can see a few images of my mini-calendar of art and haiku online here. Orders will be shipped out the week of Sept. 17.  

The other end of the paintbrush

“summer solstice” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. An earlier version of the haiku first appeared in Modern Haiku. A birthday card version is available. © Annette Makino 2016

“summer solstice” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. An earlier version of the haiku first appeared in Modern Haiku. A birthday card version is available. © Annette Makino 2016

Humboldt County is famous for two things: its magical old-growth redwood forests and perhaps equally magical marijuana. But there is a lesser-known feature that makes this area unique: it has more working artists per capita than any other part of California.

Each year in June, some 150 Humboldt artists open their studio doors to the public as part of North Coast Open Studios. Earlier this month, it was my pleasure to be part of the "Seven in Samoa" group that hosted visitors the first weekend. The following weekend, I got to tour nine studios.

In visiting other artists, I was inspired and moved by much of their art. But it was just as interesting to talk with these working artists and learn about what goes on at the other end of the paintbrush. I discovered we are grappling with some of the same issues.

A common theme of our conversations was the tension between making art that purely expresses our creativity versus making art that we know will sell. For instance, one artist is currently drawn to images of melancholy women, but knows there is a much bigger market for her playful pieces of cats.

Another sells a lot of art postcards with inspiring quotes, but her passion project is a scrapbook of sketches and thoughts about silent meditation retreats, though she knows the market for such a book is very limited.

Annette Makino demonstrates her tools and techniques at the Samoa Women’s Club in Samoa, CA as part of North Coast Open Studios in June 2017.

Annette Makino demonstrates her tools and techniques at the Samoa Women’s Club in Samoa, CA as part of North Coast Open Studios in June 2017.

For my part, I sometimes find myself painting simply because it’s time for a new card catalog. Instead of “What do I really want to express about my core being?,” the “helpful” and persistent voice inside my head asks a much less inspiring question, “What would make for a good birthday card?”

Another common theme of my Open Studios conversations was the competing demands on our time: we need to spend time managing and marketing our business, but that cuts into the time to actually create. And it's hard for me to compartmentalize: when I know I have orders to fill or an event to publicize, I can't get into the open, spacious frame of mind I need to paint.

Finally, an underlying issue that emerged from talking with other artists was, what does success mean to me as a working artist? Is it measured by sales? Reputation? Appreciation from buyers? Personal satisfaction from the joy of creating? While it’s surely some combination of all of these, it’s challenging to find the right balance, especially in a culture that confuses money with worth.

Overall, I came away from Open Studios without clearcut answers, yet comforted to know that I am not alone: even the most successful artists struggle with these dilemmas. It was inspiring to meet so many passionate, committed people who have chosen to walk this sometimes difficult path. We may never get rich from our art (though I'm not opposed to that!), but we are certainly rich in spirit.

summer solstice . . .
the skipping stone
all the way across

Makino Studios News

Seven in Samoa: The Eureka Times-Standard ran this story about the group of artists that showcased our work together as part of North Coast Open Studios.

Summer vacation: Happy solstice! I’ll be on vacation from this Saturday, June 24 until Sunday, July 2. While I am swimming and painting at the Klamath River (depicted in the above image), my Makino Studios Etsy shop will be closed for the week and I will not be filling store orders.

Westhaven Wild Blackberry Festival: Rabia O’Loren will be selling a selection of my cards and prints at this festival on Sunday, July 30, 10-4 at the Westhaven Volunteer Fire Department.

North Country Fair: Mark your calendar for this two-day festival celebrating the fall equinox, taking place September 16-17 on the Arcata Plaza!

A trail-blazing woman

“with age comes wisdom” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is available as a birthday card. © Annette Makino 2015

“with age comes wisdom” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is available as a birthday card. © Annette Makino 2015

Today I mailed this “wise owl” card to my great-aunt for her 109th birthday. No, that is not a typo. Helene “Helli” Stehle was born to a butcher and his wife on December 6, 1907, in Basel, Switzerland.

But longevity is by no means the most remarkable thing about Helli. This pioneering woman first achieved fame in Switzerland as a stage actor playing strong characters. She has always been a vibrant, strong-willed woman with a great zest for life, so I can imagine how riveting her performances must have been.

She gradually began working in radio, performing and directing plays and reciting poetry for Basel’s state-run radio station, Radiostudio Basel. With the outbreak of World War II, all her male colleagues were called to active duty. So in 1939, Helli became Switzerland’s first female newscaster. She was soon widely known through the region; when she was out in public, strangers would recognize her by her voice.

She eventually became the chief newscaster and a mentor to many younger journalists. Meanwhile, she continued to act in and direct radio plays until her retirement in 1967. She is now Switzerland’s oldest living actor.

My great-aunt never married or had children—in those days, only single women were allowed to work in state jobs. But she had one great love, Otto Crone, a calm and quiet actor who grew up in Russia. He eventually moved into another apartment in Helli’s building; over their decades together, Helli learned to speak Russian.

When I was eight, my adventurous aunt joined my family as we travelled around Japan, soaking in the communal baths and sleeping on the floor in traditional inns. On train rides, she and I enjoyed many conversations in a secret, nonsensical language we made up called “Bochisch.” And she would perform comic vignettes for my sisters and me again and again on request.

Deep into retirement, she continued to travel. On one trip to Russia, her suitcase got lost on the flight over, and she gamely spent the week wearing shirts borrowed from the gentlemen in her group. She took gymnastics and Russian conversation classes well into her 90s, and had a circle of dear friends, many of them much younger.

In 1939, Helli Stehle became the first woman newscaster in Switzerland, for Radiostudio Basel. She is seen here in 1955.

In 1939, Helli Stehle became the first woman newscaster in Switzerland, for Radiostudio Basel. She is seen here in 1955.

When Helli turned 100, the Basel radio station threw a big party in her honor where she was warmly feted. A few months later, she finally moved into an assisted living home, but she gave an interview as recently as 2010, on the occasion of her 103rd birthday.

Back in 1999, when my grandmother turned 100, her birthday party was attended by a Basel city official. He joked with my grandmother that he would be back in five years for her 105th. Ever witty, her sister Helli replied to him, “Ah, but whether you will still be around…?”

My grandmother lived to a ripe old 104. Who would ever have thought that her little sister would beat that record by five years and counting?

However much longer my dear aunt Helli sticks around, she has inspired me and countless others through her example as a powerful, creative woman, forging her own path.

leaping waves
all the strong women
before me

warmly, Annette Makino

UPDATE: Helli Stehle died in Basel, Switzerland on August 27, 2017. She was 109.

Makino Studios News

Mother's sculpture show: My mom, Erika Makino, took up sculpture around age 80, and now, at 88, she is showing her clay and cement pieces in a solo exhibit. The show opens this Friday, Dec. 2 in Ukiah, California (details in this Ukiah Daily Journal article).

Free shipping through November: Use shipping code FREESHIP2016 for free shipping in the US through this Wednesday, November 30 on orders of $15 or more from the Makino Studios Etsy shop. There you will find my 2017 calendar, laser-engraved wooden keychains, holiday and everyday greeting cards and signed prints.

Arcata Holiday Crafts Market: My only public event of the holidays, this fair includes many local artists and craftspeople, plus music and food. It runs Saturday, Dec. 10, 10 a.m. – 5 p.m., and Sunday, Dec. 11, 10 a.m. – 4 p.m. Arcata Community Center, Arcata.

Pierson Made in Humboldt Fair: You can pick up my calendars, cards and prints at this fair of crafts and specialty foods handmade in Humboldt County. It runs through Dec. 24 at Pierson Garden Shop, 4100 Broadway Street, Eureka.

Exploring art in old Japan

“maple leaf” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. It appears as a page of a 2017 calendar of art and haiku. © Annette Makino 2016

“maple leaf” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. It appears as a page of a 2017 calendar of art and haiku. © Annette Makino 2016

Besides a grand family adventure, my trip to Japan earlier this summer (see Journey to Japan) was also an exploration of Japanese art and haiku—and a chance to stock up on hard-to-find art supplies.

A major highlight of the trip was a visit to a famous art supply store in Kyoto, founded by a painter in 1863 and still run by his descendants. At the one-room Saiun-do (“Painted Clouds”), I found the fine brushes, made of weasel hair and bamboo, for which I had spent years searching. I also scored a fragrant new sumi ink stick and several ceramic pots of special "gansai" watercolors that are found only in Japan.

Later, I painted the Japanese maple leaves shown here with my new brushes, delighting in their smoothness on the page. How liberating to find brushes that work with me, not against me!

Through sheer serendipity, I was able to see woodblock art prints by one of my favorite artists, Hiroshige, at four different museums around the country. Ukiyo-e (literally, “pictures of the floating world”) were hugely popular in the Edo period, when the merchant class enjoyed decorating their walls with prints of beautiful geisha, kabuki actors and landscapes. "The Great Wave off Kanagawa" by Hokusai is probably the best-known example of ukiyo-e in the West.

It is estimated that in the 1850s, four to five million ukiyo-e were printed every year! The visual style, in which thin black outlines were filled in with blocks of color, was the forerunner of manga (Japanese-style comics). It also deeply influenced the beautiful anime (Japanese animated films) by director Hayao Miyazake, among others.

Annette Makino buys Japanese art supplies at Saiun-do in Kyoto, Japan in June 2016.

Annette Makino buys Japanese art supplies at Saiun-do in Kyoto, Japan in June 2016.

But it was only on returning home this summer that I realized how much my own art owes to ukiyo-e. Though painted on paper rather than carved into wood, my paintings typically consist of thin outlines of black sumi ink that bound areas of color. And my art, like Hiroshige’s in his day, is mainly intended to be printed and enjoyed by many, rather than hung in fine art museums.

I came to Japan to study the old masters—and found a part of myself.

rice paper moon
pine trees brush
the inky sky

Makino Studios News

North Country Fair: Humboldters, come celebrate the fall equinox at the 43rd annual North Country Fair on the Arcata Plaza this Saturday and Sunday! The fair runs from 10 a.m. to 6 p.m. both days. There will be 170 art and craft vendors, three music and entertainment stages, local food booths, activities for kids, and a daily parade at 1 p.m. Come visit my Makino Studios booth on G Street near Moore’s Sleepworld!

New2017 calendars: For the fourth year in a row, I have created a mini-calendar of my art and haiku. Featuring animals, landscapes, and other scenes from nature, the 2017 calendars have just come off the press and will debut at the fair. They can also be ordered through the Makino Studios shop on Etsy.

New keychains: I have designed two different wooden keychains featuring my art and haiku, one of a playful dog and one of a Humboldt redwood. These laser-engraved keychains will be offered at the fair this weekend and are also available on Etsy.

New card designs: Heirloom tomatoes, redwood forests, and river landscapes are the subjects of some of my latest greeting cards, due off the press this week. Check them out at the fair or the Makino Studios Etsy shop.

Seabeck Haiku Getaway: This fun and inspiring haiku retreat takes place Oct. 27-30 in Seabeck, Washington next month. I will be presenting on my trip to Japan with photos and haiku. I look forward to playing and learning with other haiku poets in a beautiful natural setting!

Thanksgiving abundance

“warmest holiday wishes” © 2015 Annette Makino

“warmest holiday wishes” © 2015 Annette Makino

As Thanksgiving approaches, I’m thinking about the fact that we in the U.S. have a holiday that is completely devoted to gathering with our loved ones and giving thanks. Isn't it cool that in deepest, darkest November, family and friends come together to share a feast that represents abundance? Covered in gravy, with a side of cranberry sauce.

I’m grateful to be enjoying a less stressful holiday season than usual. For this month and next, I’ve consciously stepped back from some commitments and opportunities just to keep from getting overwhelmed.

As a result, I’ve had time to exchange foot rubs with my daughter Maya, who is home from college this week; play hard-fought games of Scrabble with my son Gabriel; take long hikes in the redwoods with the whole family; and pursue a few new art projects.

Quality family and creative time: that to me is true abundance. But I won't say no to a slice of pumpkin pie—or two!

More fundamentally, I’m deeply thankful to be able to create and share my art with the world. The gravy is to hear from so many of you how this work brings people joy and meaning.

Happy Thanksgiving!

warmly, Annette Makino

Makino Studios News

Free Shipping: With thanks to you, my customers and supporters, I’m offering free shipping on orders of $20 or more from my Etsy shop. Through this coming Monday, Nov. 30, type in coupon code FREESHIP2015 at checkout to qualify. You’ll find new holiday and everyday cards, art prints and a 2016 calendar of art and haiku.

Made in Humboldt: A selection of my cards, prints and calendars is now available at the Garden Shop of Pierson Building Center in Eureka, CA  through Dec. 24.

Holiday Craft Market: Makino Studios will have a booth at this fair in the Arcata Community Center in Arcata, CA on Saturday and Sunday, Dec. 12-13.

One brushstroke at a time

“water and stone” is 11×14, painted with sumi ink and Japanese watercolors on paper. Signed prints are available for $35. © 2015 Annette Makino

“water and stone” is 11×14, painted with sumi ink and Japanese watercolors on paper. Signed prints are available for $35. © 2015 Annette Makino

When I first tried sumi ink painting five years ago, I struggled. There was frustration. There was angst.

In this ancient medium, you grind an ink stick made of pine soot and glue in an ink stone with a few drops of water, then paint with bamboo brushes on rice paper. Sounds simple enough, right? But in practice, there are many ways to go wrong—and I excelled at all of them.

I ground the ink too thin and it dried sad and gray on the paper; I ground it too thick and my strokes ran out early, gasping for ink. I got too much water in the brush and my strokes grew wide and blobby. I moved my arm too slowly and the lines looked tentative; too quickly and the lines skipped and went awry.

But with the encouragement of family and friends, I kept plugging away.  Occasionally, almost by accident, a painting would work, and that was enough to keep me going.

water and stone
how we shape
each other

Multiplying the challenges, I soon added Japanese watercolors (gansai paints) to my pieces. And I gradually moved away from the simple lines and white backgrounds of traditional Japanese ink painting toward more colorful and detailed pieces—images involving tricky subjects like animal fur, water reflections or storm clouds. In the words of management guru Tom Peters, I learned to “fail forward fast.”

A sumi ink stick is ground in an ink stone with a bit of water. Traditionally, the resulting ink is applied onto rice paper with bamboo brushes. Photo © 2011 Yoshi Makino

A sumi ink stick is ground in an ink stone with a bit of water. Traditionally, the resulting ink is applied onto rice paper with bamboo brushes. Photo © 2011 Yoshi Makino

I feel oddly shy sharing this, but I’ve recently had a breakthrough. After years of effort in which my failed paintings ended up as wrapping paper, I think I may be getting the hang of this. Somehow, the dozen paintings I’ve created this summer radiate a new level of aliveness. The sea foam looks lighter, the flower petals more delicate, the river wetter.

blue brushstrokes
the sea laps the edge
of the page

I haven’t yet put in the requisite ten thousand hours of practice to achieve mastery. But I’m getting closer. A few days ago I hung a solo show of local Humboldt landscapes, called “Water & Earth,” and I feel it’s my strongest body of work to date. The journey continues, but I am pausing here to appreciate the view.

rice paper moon
pine trees brush
the inky sky

Makino Studios News

Water & Earth: My current show features landscape paintings inspired by Humboldt County’s beautiful wild places. It is on view at Libation on the plaza in Arcata, California through August 2015, along with my cards and prints.

North Country Fair: Celebrate the fall equinox at the 42nd annual North Country Fair in Arcata the weekend of Sept. 19-20. This festive event features 200 booths, live music on two stages, and two parades. My booth will be in the usual spot on G Street near 9th.

Fieldbrook Art & Wine Festival: The following weekend I’ll have a booth at this lovely event at the Fieldbrook Winery in Fieldbrook, California on Saturday, Sept. 26, 11 a.m. to 4 p.m.

Seabeck Haiku Getaway: This fun and inspiring gathering of haiku poets takes place on Washington State’s beautiful Kitsap Peninsula Oct. 1-4. I will be giving a presentation of my haiga (haiku art) there.

Before we were tamed: Thanks so much to all who came to see Tina Gleave and me at Ramone’s in June during North Coast Open Studios and who visited our show!

Connecting: You can get news, fresh art and haiku on my Makino Studios Facebook page and my Twitter feed.