The path unfolds

“leaf light” is based on a 19×12 original, painted with sumi ink and Japanese watercolors on rice paper. It is available as a signed 11×14 digital print or a card. © 2013 Annette Makino

“leaf light” is based on a 19×12 original, painted with sumi ink and Japanese watercolors on rice paper. It is available as a signed 11×14 digital print or a card. © 2013 Annette Makino

Our daughter started college this fall. Before it happened, I couldn’t fully understand how much lies behind that simple statement—hope and excitement for your child’s future mixed with worry and sadness at their leaving.

For weeks after we dropped Maya off, the smallest thing could bring me to tears, like measuring oatmeal for three instead of four. My husband, son and I all miss her effervescent spirit, affectionate nature and hilarious observations. She has left our home quieter, tidier, and less exciting. It seems unfair that after eighteen years of the hard work of parenting, now that she’s pretty much perfect, she’s gone!

But happily, I got to visit Maya at the University of Puget Sound in Tacoma, Washington earlier this month. (In a sweet bit of synchronicity, my freshman roommate at Stanford lives ten blocks from campus, so I also got to visit this dear friend.) To my delight, Maya decided to accompany me to the Seabeck Haiku Getaway.

geese arrowing south
part of my heart
in the passenger seat

For four days along beautiful Hood Canal, fifty poets talked, wrote and shared haiku, and I enjoyed giving a presentation on the process of creating my haiga (haiku art). As ever, it was a fun and inspiring retreat, and there was even time to hike through the woods and soak up sunlight by the lagoon.

awakened
by the breakfast bell—
sun through cedars

Haiku ahead! Annette Makino and daughter Maya at the Seabeck Haiku Getaway, October 2015.

Haiku ahead! Annette Makino and daughter Maya at the Seabeck Haiku Getaway, October 2015.

Between studying and writing essays for school, Maya penned some fine haiku of her own, like this one:

autumn clouds
all the people
I could be

And at the end of the long weekend, two of my poems, less than an hour old, won prizes in the “kukai” haiku contest. This one, written while lying under a big maple tree with Maya, is a gentle message to myself in this time of transition:

a gust of wind
swirls through the maple—
the art of letting go

Back in 2013, when I returned from Seabeck, I created the “leaf light” piece above based on a forest trail there. Thinking about Maya’s leaving, it is a reminder to have faith in times of loss, change and uncertainty—and to keep walking.

leaf light
tree by tree
the path unfolds

 •

Makino Studios News

2016 calendar: A wall calendar of art and haiku, featuring twelve of my paintings of landscapes, animals and flowers, is now on sale in stores and online. From ocean waves to oak-covered hills, this mini-calendar provides a monthly dose of Zen wisdom.

New cards: I’ve posted eleven new and updated card designs to the MakinoStudios Etsy shop and they are also available in stores.

Made in Humboldt: More than 50 card designs, plus prints and calendars will be offered at this holiday sale at the Garden Shop of Pierson Building Center in Eureka, CA Nov. 17-Dec. 24.

Holiday Craft Market: Makino Studios will have a booth at this fair in the Arcata Community Center in Arcata, CA on Saturday and Sunday, Dec. 12-13.

Connecting: I appreciate the kind responses to my last post, “One brushstroke at a time.” You can also get news, art and haiku on my Makino Studios Facebook page and my Twitter feed.

"leaf light" has been published in The Sacred in Contemporary Haiku, edited by Robert Epstein, 2014; and in the 2013 Seabeck anthology, A Warm Welcome (it is also used for the cover art).

One brushstroke at a time

“water and stone” is 11×14, painted with sumi ink and Japanese watercolors on paper. Signed prints are available for $35. © 2015 Annette Makino

“water and stone” is 11×14, painted with sumi ink and Japanese watercolors on paper. Signed prints are available for $35. © 2015 Annette Makino

When I first tried sumi ink painting five years ago, I struggled. There was frustration. There was angst.

In this ancient medium, you grind an ink stick made of pine soot and glue in an ink stone with a few drops of water, then paint with bamboo brushes on rice paper. Sounds simple enough, right? But in practice, there are many ways to go wrong—and I excelled at all of them.

I ground the ink too thin and it dried sad and gray on the paper; I ground it too thick and my strokes ran out early, gasping for ink. I got too much water in the brush and my strokes grew wide and blobby. I moved my arm too slowly and the lines looked tentative; too quickly and the lines skipped and went awry.

But with the encouragement of family and friends, I kept plugging away.  Occasionally, almost by accident, a painting would work, and that was enough to keep me going.

water and stone
how we shape
each other

Multiplying the challenges, I soon added Japanese watercolors (gansai paints) to my pieces. And I gradually moved away from the simple lines and white backgrounds of traditional Japanese ink painting toward more colorful and detailed pieces—images involving tricky subjects like animal fur, water reflections or storm clouds. In the words of management guru Tom Peters, I learned to “fail forward fast.”

A sumi ink stick is ground in an ink stone with a bit of water. Traditionally, the resulting ink is applied onto rice paper with bamboo brushes. Photo © 2011 Yoshi Makino

A sumi ink stick is ground in an ink stone with a bit of water. Traditionally, the resulting ink is applied onto rice paper with bamboo brushes. Photo © 2011 Yoshi Makino

I feel oddly shy sharing this, but I’ve recently had a breakthrough. After years of effort in which my failed paintings ended up as wrapping paper, I think I may be getting the hang of this. Somehow, the dozen paintings I’ve created this summer radiate a new level of aliveness. The sea foam looks lighter, the flower petals more delicate, the river wetter.

blue brushstrokes
the sea laps the edge
of the page

I haven’t yet put in the requisite ten thousand hours of practice to achieve mastery. But I’m getting closer. A few days ago I hung a solo show of local Humboldt landscapes, called “Water & Earth,” and I feel it’s my strongest body of work to date. The journey continues, but I am pausing here to appreciate the view.

rice paper moon
pine trees brush
the inky sky

Makino Studios News

Water & Earth: My current show features landscape paintings inspired by Humboldt County’s beautiful wild places. It is on view at Libation on the plaza in Arcata, California through August 2015, along with my cards and prints.

North Country Fair: Celebrate the fall equinox at the 42nd annual North Country Fair in Arcata the weekend of Sept. 19-20. This festive event features 200 booths, live music on two stages, and two parades. My booth will be in the usual spot on G Street near 9th.

Fieldbrook Art & Wine Festival: The following weekend I’ll have a booth at this lovely event at the Fieldbrook Winery in Fieldbrook, California on Saturday, Sept. 26, 11 a.m. to 4 p.m.

Seabeck Haiku Getaway: This fun and inspiring gathering of haiku poets takes place on Washington State’s beautiful Kitsap Peninsula Oct. 1-4. I will be giving a presentation of my haiga (haiku art) there.

Before we were tamed: Thanks so much to all who came to see Tina Gleave and me at Ramone’s in June during North Coast Open Studios and who visited our show!

Connecting: You can get news, fresh art and haiku on my Makino Studios Facebook page and my Twitter feed.

Before we were tamed

“fox tracks” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “happy birthday, bright spirit.” © 2015 Annette Makino

“fox tracks” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “happy birthday, bright spirit.” © 2015 Annette Makino

For the past twenty years, my family and I have lived in the country on the side of a redwood-covered hill. In the morning the woods fill with bird conversations, and we often glimpse deer and foxes wandering past our house.

A raccoon that hung around our compost pile got nicknamed Deke, short for “decomposition.” But when “he” showed up one day trailing four fluffy baby raccoons, we had to rename her Delilah. Because we don’t have the heart to chase them off, Delilah and her grown children have grown quite comfortable strolling past our windows and staring at us curiously.

watchful eyes . . .
bit by bit the wild raccoon
tames us

Living among all this wildlife has gotten me thinking about humans’ connection with nature: what we’ve forgotten, what we can learn, and what we know deep down. At a time when human activity is pervading every corner of the planet, from the deepest oceans to near space, I’m wondering what it means to be wild.

fox tracks . . .
who were we before
we were tamed?

“love from the gang” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “love from the gang.” © 2015 Annette Makino

“love from the gang” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “love from the gang.” © 2015 Annette Makino

Despite our complex civilizations and sophisticated technologies, we humans share 90% of our DNA with mice. How different are we really from Delilah and her children?

With such questions in the back of my mind, this spring I painted a series featuring our woodland neighbors and some of the natural places around Humboldt County.

chigger bites
my finger traces
the wilderness map

The road to our house runs along a lovely little stream shaded by redwoods, alders and maples. But if you look closely, you can find chunks of styrofoam hidden in an old-growth redwood stump. Old appliances and bags of contaminated soil from marijuana grows are dumped just above the stream bed.

Though humans are supposed to be the most advanced species on the planet, ours is the only one foolish enough to destroy its own habitat. Can we remember how to live in balance before it’s too late? Can we regain the common sense of the common field mouse? Perhaps by the simple act of spending more time in nature, walking, watching and listening, we can start to feel our wild hearts again.

in wilderness
we find our way home

Makino Studios News

North Coast Open Studios: I'll be on hand to share my new wilderness-inspired paintings at Ramone’s Bakery & Café in Old Town Eureka, California this coming Saturday and Sunday, June 6-7, from 11 to 5 both days. My friend Tina Gleave will show her stunning silk paintings of landscapes and other natural images. We’ll also demonstrate our tools and techniques and have new cards and prints for sale. In addition, there will be a free raffle with two prizes: we are each giving away a $25 gift certificate towards our art.

Arts Alive at Ramone’s: Piggybacking on our Open Studios event, Tina and I have a joint show at Ramone’s called “Before we were tamed.” There will bean opening during Arts Alive this Saturday, June 6, from 6 to 9 p.m., and the show runs through June.

New Cards: Twenty-four new and updated card designs are now available in my MakinoStudios Etsy shop. I’ve also clarified how you can order any six designs for $19.99. (My shop will be closed June 13-20 while I’m on a painting vacation.)

Haiku Award: I’m happy to share that one of my haiku won the Dori Anderson prize for the best haiku about Ukiah, California at this year's ukiaHaiku Festival.

Mendocino spring
only ten shades of green
in my paint set

New Fortuna Store: My cards can now be found at Madame Fortuna's Lucky Heart Shop, a store selling herbs, orchids, books, and gifts that just opened in Fortuna, California. See the Store page for a complete list of places that carry my cards.

Connecting: I always love hearing from you. You can get news, fresh art and haiku on my Makino Studios Facebook page and my Twitter feed.

An earlier version of the haiku “fox tracks” first appeared in The Heron’s Nest, XVII:1. “Chigger bites” was published in The Heron’s Nest, XVII:2.

Juicy bugs and other treats

Happy Haiku Poetry Day! To celebrate, I’m sharing a selection of the haiku and senryu I’ve had published in the past year. (And if, like most people, you were taught that haiku in English need to follow the 5-7-5 syllable pattern, think again. On his Graceguts site, haiku poet Michael Dylan Welch explains why that is an urban myth, and the secrets of how to write good haiku.)

Small miracle

My darling nephew Enakai, adopted from the Marshall Islands last spring, just had his kemem, the traditional Marshallese celebration when a child survives to age one. From the photos taken at his party in Tucson, I could see Enakai toddling around in his little Hawaiian shirt, admiring his surfer-themed cake and smiling at all the attention. A charming extravert, this little guy loves parties. It’s no surprise that his first word was “hi!”

Hereby resolved

The start of a new year is a time to consider constancy and change in our lives, to take a look at the big picture and make any needed adjustments. I’m not big on new year’s resolutions—it’s far too easy to fall short and disappoint yourself. But this year I’m making one resolution: simply to be more present, more of the time. With help from meditation, journaling, and long walks with the dog, my aim is to become more mindful. We can’t stop time, but we can experience it more deeply.

Wishing you peaceful holidays

“peace on earth” is 5×7, painted with sumi ink and Japanese watercolor on paper and digitally edited. It is available as a holiday card or small print. © 2014 Annette Makino

“peace on earth” is 5×7, painted with sumi ink and Japanese watercolor on paper and digitally edited. It is available as a holiday card or small print. © 2014 Annette Makino

Whew. After weeks of holiday madness for my little business, I have just one more in-person event this season, a holiday craft fair in Arcata this weekend.

With this chance to catch my breath, I just want to say a big thank you to all my customers, family and friends. This holiday season and all year, it is a tremendous gift to be able to spend this brief time on earth engaged in truly meaningful work.

the time we are given . . .
sparks rise through darkness
to join the stars

(tinywords 14.2)

Peaceful holidays to you and goodwill to all creatures.

warmly,

Annette Makino

Makino Studios News

Holiday Craft Market: I will have paintings, prints, cards and calendars for sale at this fair in the Arcata Community Center in Arcata, CA this weekend, 10 a.m. to 5 p.m. on Saturday and 10 a.m. to 4 p.m. on Sunday.

“oak tree” is 11×14, painted with sumi ink and Japanese watercolors on paper. © 2014 Annette Makino

“oak tree” is 11×14, painted with sumi ink and Japanese watercolors on paper. © 2014 Annette Makino

New Oak Tree Print: I just posted a new print of an oak tree in my Etsy shop, where you can also find the latest holiday and everyday card designs and my wall calendar for 2015.

Made in Humboldt: My cards, prints and calendars are on offer at this holiday fair at the Garden Shop of Pierson Building Center in Eureka, CA  through Dec. 24.

Living Room Retrospective: I am one of nine artists featured in this exhibit at MikkiMoves in Eureka. The show runs through January.

Holiday at Mateel Gallery: A few of my paintings, plus cards and calendars, are available at this gallery in Garberville, CA through Dec. 27.